The Shatzkin Files


It is hard for publishers to apply even Harvard B School advice in their struggle with Amazon


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Harvard Business Review published an article recently by Benjamin Edelman called “Mastering the Intermediaries” which gives advice to businesses trying to avoid some of the consequences of audience aggregation and control by an intermediary. The article was aimed at restaurants who don’t want their fate controlled by Open Table or travel companies who don’t want to be beholden to Expedia. The advice offered is, of course, scholarly and thoughtful. It seemed worth examining whether it might have any value to publishers suffering the growing consequences of so much of their customer base coming to them through a single online retailer.

The author presents four strategies to help businesses reduce their dependence on powerful platforms.

The first suggestion: exploit the platform’s need to be comprehensive.

The author cites the fact that American Airlines’ strong coverage of key routes made its presence on the travel website Kayak indispensable to Kayak’s value proposition. As a result, AA negotiated a better deal than Kayak offered others or than others could get.

Despite some suggestions in the late 1990s that publishers set up their own Amazon (which they subsequently half-heartedly tried to do with no success) and a couple of moves to cut Amazon off by minor publishers that were minimally dependent on trade sales, this tactic has never really been possible for publishers on the print side. Amazon began life by acquiring all its product from wholesalers — primarily Ingram and Baker & Taylor — before they switched some and ultimately most of its sourcing to publishers to get better margin. But the publishers can’t cut off the wholesalers without seriously damaging their business and their relationships with other accounts, and the wholesalers won’t cut off Amazon. So for printed books, still extremely important and until just a couple of years ago the dominant format, this strategy is not worth much to publishers.

However, the strategy was and is employable for ebooks, which are sold via contractual sufferance from agency publishers, even if the sourcing is (sometimes, not typically by Amazon) through an aggregator. That was the implied threat when Macmillan CEO John Sargent went to Seattle in the now-famous episode in 2010 to tell them that ebooks would only be available on agency terms. Amazon briefly expressed its displeasure by pulling the buy buttons off of Macmillan’s print books. (Publishers can’t cut them off from print availability, but they can cut publishers off from print sales!) In the meantime, Amazon’s share of the big publishers’ ebook sales has settled somewhat north of 60 percent, and those Kindle customers are very hard to access except through Amazon. This is considerably more share than Kayak had when American Airlines threatened their boycott.

In fact, it is likely that Amazon could live without any of the Big Five’s books for a period of time, except for Penguin Random House, which is about the size of the other four big publishers combined. The chances are that PRH’s size will prevent Amazon from treating them the way they are now treating Hachette. And the massive share that Amazon has of both print and ebook sales makes it extremely difficult for Hachette, or any other big house except PRH and possibly HarperCollins, to sustain an ebook boycott (with consequent print book sales reductions) for any significant length of time. In other words, for publishers dealing with Amazon, this horse has left the barn.

Where it has not yet left the barn is with the ebook subscription services, and for them many publishers actually appear to be following the strategy being suggested here. Only two of the big houses have put titles into Scribd and Oyster, and it appears that they got extremely favorable sales and payment terms in order to do so. Indeed, these fledgling subscription offerings must have the big houses’ branded books to have a compelling consumer proposition.

The second suggestion is to identify and discredit discrimination.

The HBS piece cites the complaints that eBay was giving search prominence to suppliers who advertised on the site forcing a reversal of the policy.

Although the search algorithms on powerful platforms are ostensibly geared only to give the customer what they’re most likely to want, it is probably generally understood that these results are jiggered to favor the platform’s interest. It is not surprising that Google has underwritten White Papers from UCLA professor Eugene Volokh and from Supreme Court nominee Robert Bork defending that conduct. Volokh argues that the first amendment prevents the government from interfering with search results and Bork says nobody is harmed if Google favors its own interests.

Could we apply that same logic to Amazon? How about this scenario?

Amazon is well on its way if not already past the point where they sell more than half of the books Americans buy (combining print and digital). Book consumers are highly influenced by the suggestions made and choices surfaced by their bookseller, whether physical or virtual. That is: the process of buying books is inextricably linked to the process of discovering books. So Amazon is getting a stranglehold on recommendations which for many consumers also means a stranglehold on marketing and promotion.

The “damage” to society that results from results being gamed in fiction is probably minimal, and restricted to Amazon promoting either its own published titles, its favorite self-published authors, and books from other publishers that have paid to play. But, with non-fiction, the consequences could be much more severe and of real public interest.

Imagine a persuasive book arguing that the government should sharply increase the minimum wage and let’s also imagine that Amazon corporately doesn’t like that idea. Is it really okay if they suppress the awareness of that book from half or more of the book-buying public?

This is the kind of an argument that can arouse the government which, so far, has shown scarcely more interest in Amazon’s dominance of book commerce than they would if they dominated the commerce in soft drinks or lawn fertilizer. Can they be awakened by publishers to this concern before dramatic cases affecting public awareness and policy are documented? We don’t know, but we do know that Hachette sent lawyers to Washington early in the Obama Administration to call attention to Amazon’s growing marketplace power and their willingness to use it. That apparently had no affect (unless, in some perverse way, it contributed to the government’s interest in pursuing the “collusion” case).

There could certainly be some consumer blowback to the gaming of search results by a platform, perhaps including Amazon. The Harvard article says Google changed algorithms that seemed to be burying Yelp because consumer sentiment, partly measurable in search queries, showed dissatisfaction among the public. But in the absence of an aroused government, it would seem unlikely that this suggestion will do publishers large or small much good.

It is definitely worth noting here that Hachette authors are involved in just such an effort right now over the current Hachette-Amazon dispute. (And Amazon authors, also often called “indie authors”, are pushing back in the other direction.) There is a difference of opinion about how much this is “hurting” Amazon or whether it will push them to a quicker resolution of the dispute; I’m not sure anybody will ever know the answer to that.

The third suggestion is to create an alternative platform.

As the piece explains, when MovieTickets was on the verge of dominating phone and online ticketing, Regal Entertainment and two other large theater chains formed Fandango.

Unfortunately, this is a strategy that simply won’t work as an antidote to Amazon. In fact, trying it, which publishers have, demonstrates a failure to understand the source of Amazon’s power in the marketplace.

Amazon’s strategy is in plain sight and is the title of the best and most recent book about them: Brad Stone’s “The Everything Store”. Books had a central role in getting Amazon started, but have now declined to very likely less than 10 percent of their revenue and far less of their operating margin. Books are strategic for Amazon, but not commercially fundamental. This is one of the reasons, perhaps even the principal one, why they operate their book retailing on margins so thin that the incumbent book retailers can’t match them. After all, B&N can’t make up the margin shortfalls created by offering books cheaply by selling that same customer a lawnmower. Nor do they benefit from additional scale provided by selling lawnmowers or cat food or server space.

The fact that Amazon did book retailing in a thorough and sophisticated way as they established their business to become an online Walmart made them different from omni-retailers in the past (going back to departments stores a hundred years ago) who sold some books.

The story has been told on this blog before about Amazon cutting prices more than fifteen years ago to discourage competition coming into the market. Although publishing is a profitable business for them, it is also a strategic component of larger objectives: getting an increasing share of its customers’ purchases across a range of physical products as well as to compete as a streaming content provider across the entire range of digital media.

No enterprise focused primarily on books can compete with that. Amazon takes too many customers off the table before whoever else is competing gets to begin and keeps them for a wide range of reasons. They’ve got the most admirable competitive position conceivable: a first-class operation supported by scale provided by myriad other enterprises, totally wide-ranging and broad knowledge of the details of book retailing, and the financial heft to accept diminished (or even negative) margins from time to time to support strategic objectives.

So, Bookish, the attempt to compete (although that objective was not explicitly stated) forged by three major publishers more than a decade after Ingram’s I2S2 attempt to create a broader base of online retailers, was never a serious threat. (It is now owned by another Regal, Joe Regal, whose Zola Books — an ambitious upstart ebook retailer — bought Bookish, apparently for its recommendation engine, from the publishers.)

This is probably the 20th year in a row, dating from their start in 1995, that Amazon has gained market share for sales of books to consumers. And that’s because consumers are making what for them is the obvious choice for convenience, total selection, and competitive pricing, as well as getting tied into Amazon through their PRIME program. Unless one of the other two tech giants in the bookselling world — Apple or Google — decides to make a dedicated effort to take some of that market share away from Amazon in both print and digital (and neither of them is much interested in print), it is hard to see where a serious competitor can come from.

As of this moment, there is no way for any ebook retailer except Amazon to put DRMed content on a Kindle, which eliminates a big part of the audience from play for any competitive platform.

The fourth suggestion: deal more directly. The article points out that people ordering takeout through online platforms like Foodler and GrubHub have often already chosen their restaurant so that restaurants that deal directly can afford to exit the platform.

As I was working on this post, HarperCollins announced that they have redesigned their website to be consumer-facing which enables them to sell books directly to consumers. They’ve collaborated with their printer-warehouse partner, Donnelley, to handle print book fulfillment and have a white-label version of indie ebook platform Bluefire to deliver ebooks. They promise that authors will be able to use the capability very easily to connect their own web presences and they’re thinking about additional compensation to authors that generate those sales.

This bold move has a hole in it, though, and it is one that publishers so far have no easy way to fill. All the non-Amazon platforms use Adobe DRM, which HarperCollins/Bluefire supports, so they can put your ebook on a Nook or Kobo device with copy-protection. Of course, they have their own “reader”, which can be loaded with ease on most web-capable devices and can apparently also be squeezed onto a Kindle Fire. But, because HarperCollins wants to continue to use DRM protection for the content, they won’t be able to sell directly to users of Kindle devices that are dedicated e-readers.

Although publishers have certainly encouraged that competition to Amazon which exists, their direct efforts have for the most part been limited to cultivating direct interaction with the end user audience to influence awareness and selection. Many smaller publishers are willing to sell direct without DRM and other large publishers sell direct in a more restrained way, but this seems to be the first concerted effort by a major player to drive direct sales.

It will be interesting to watch the pricing interaction between Harper and Amazon and whether Harper can come up with “specials” (bonus content, some connection to the author, bundling) that Amazon or another retailer can’t match. Competing on price is the retailer’s first instinct, but for publishers competing with Amazon on price is a fool’s errand, fraught with the potential for retaliation in many ways (including that “discounts” from publishers, the retailers’ margin, is presumably based on the publisher’s price. What does “publisher’s price” mean if they sell for less?)

But HarperCollins doesn’t need to get a big volume of direct sales for this to be a worthwhile initiative for them. I’d expect it to be copied. Any sales they can get directly increase their power in the marketplace.

There is one other initiative we’re aware of that can perhaps help publishers disintermediate Amazon for direct sales. That’s Aerbook, which widgetizes a book or promotional material for a book so that it can be “displayed” in any environment. Aerbook’s widgets can contain the capabilities for transacting or for referring the transaction to a retailer, Amazon or anybody else. Putting the awareness of the book directly into the social and commercial streams can be a big tool for authors and publishers. But even Aerbook can’t put a DRMed file on a Kindle. They offer a version of “social DRM” — essentially “marking” the ebook in a way that identifies its owner — which can be loaded onto the Kindle. But big publishers and big authors have apparently not yet come to a comfort level with that solution; perhaps the need to get to the Kindle customer directly and the experience Aerbook develops with their method will encourage a more open mind on that question over time.

So, it would seem, the best thinking presented by Harvard Business Review for how producers and service providers can dodge platforms trying to lock in their audiences has precious little that can be usefully applied by publishers to escape the grip of Amazon. Having taken about half the retail book market over the two decades of their existence, they have given themselves a reputation, tools, and momentum that will make it very hard to stop them from eating into the other half substantially in the years to come.

The fact that competing with Amazon is difficult doesn’t stop smart people from trying to figure out how it might be done. A group of publishing thinkers are holding a 2-day brainstorming session at the end of this month to come up with ideas. Two of them, Chris Kubica and Ashley Gordon, will be presenting at a session at Digital Book World in January called “Blue Sky in the ebook future”, which will include thoughts on how to improve the narrative ebook itself from Peter Meyers and somebody not yet chosen to speak about complex ebooks.

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  • Michael Kingswood

    “But, because HarperCollins wants to continue to use DRM protection for the content, they won’t be able to sell directly to users of Kindle devices that are dedicated e-readers.”

    The solution to that is simple and obvious – stop with the silly and ineffective obsession with DRM and just sell the damn books without it. It’s not like DRM is going to do anything to dissuade even a modestly savvy person who is determined to make his own copy of the ebook file. So why bother with the expense of using it, especially if the act of using DRM becomes an excuse to cut oneself off from additional revenue streams? That is just nonsensical.

    • http://idealog.com/blog Mike Shatzkin

      Your formulation of what DRM does is insufficient. If there is no DRM, anybody — not just somebody with a bit of tech skills — can forward the file to anybody else. The fear, and nobody has the data to disprove it, is that sales of the biggest books would suffer badly if DRM were removed. Tim O’Reilly is credited with having said “piracy is progressive taxation”. In this case unfettered sharing would be progressive taxation. I don’t know what the balance would be, and there’s an argument to be made that many authors would benefit from the unsanctioned pass-along. But it is being too casual with other people’s revenues to just say “ditch it”, even though that *might *be the right answer and we might find that out in time.

      • Robgb

        The music industry learned the pointlessness of DRM long ago. And studies have shown that piracy has not harmed the entertainment industries, which have exaggerated its impact. In fact, piracy even generates sales in some instances. So the concern is unfounded.

        http://www.cbc.ca/news/business/digital-piracy-not-harming-entertainment-industries-study-1.1894729

      • http://idealog.com/blog Mike Shatzkin

        Drawing conclusions about the book business from the music business is risky business. Drawing conclusions about James Patterson’s books from Hugh Howey’s books is equally risky. It is easy to tell publishers who have placed $1 million or $5 million or $10 million bets that they “shouldn’t worry about it”. As the sentenced criminal once said to the judge, “you’re mighty generous with another man’s time.” Everybody is very loose with other people’s money!

      • Robgb

        Well, that was fairly evasive.

      • http://idealog.com/blog Mike Shatzkin

        I guess there are just some people who can’t stand not getting the answers they want.

      • Robgb

        Or, apparently, supplying an answer at all.

      • http://idealog.com/blog Mike Shatzkin

        There isn’t actually “an answer” to everything. That’s sorta the point here. There are those who claim they know what the impact of generally removing DRM from commercial books will be. Then there are those who admit they don’t know. I think the ones who claim they do know are full of shit. Is that sufficiently non-evasive for you?

      • Robgb

        Except that we do know. The music business is the perfect example. Indie authors are another. Our books are heavily pirated and it hasn’t hurt our bottom line. And guys like Patterson are being pirated regularly, too, yet publishers are making record profits from his and other pirated authors’ ebooks. That Koolaid must taste awfully good.

      • http://idealog.com/blog Mike Shatzkin

        Of course, you know! Perhaps sometimes wrong, but NEVER in doubt.

      • Robgb

        ……………………….

      • http://idealog.com/blog Mike Shatzkin

        I am *definitely *in doubt quite a bit. Anybody who spends a lot of time trying to figure out the future who isn’t is either a knave or a fool.

      • Robgb

        It’s a lot easier to figure out the future if you don’t ignore the past.

      • Steven Zacharius

        How would you have any idea of how much each publisher is losing to pirated copies? I know how many illegal links we have taken down each month and the numbers are huge.

      • Robgb

        Illegal links don’t necessarily mean lost revenue. Studies have shown that most who pirate, if given no other alternative, would not have bought the book anyway, so you can’t just assume you’re losing money.

        This is a decades old debate, covering music, movies and software, and it is already well established that DRM inconveniences only the customer—the people who are least likely to pirate books and would merely like the freedom to use the device of their choice without having to jump through hoops to do it.

        And since DRM does nothing to stop pirates, what exactly is its function? To make some executives feel better?

      • Steven Zacharius

        Yes it makes me feel better and it makes every single author that we publish feel better that we’re doing everything possible to protect their intellectual property and any royalties due to them. We have never had an author say to us, why don’t you drop the DRM because it might be inconvenient to some people. I agree that it is inconvenient slightly, but really not too bad. If you’re going to read the book on your kindle….that’s where you’re going to read it…..and they have apps to read it on your iPad or anywhere else for that matter.
        As for the links not losing us money, we take down over 1000 each month. I don’t know how you could possibly measure how much revenue that would equate to. Discussions like these remind me how broken Congress is. Why would traditional authors support DRM and indie authors be totally against it? How can you have something that is meant to help protect authors and publisher’s monies due be a bad thing?

      • Robgb

        Don’t make assumptions. I traditionally published 15 books and once ebooks came into play (which, by the way, I had to beg my publisher to get on board with and they only did reluctantly once it looked like a viable option), I was against DRM right away. Why? Because I’d seen how unhappy it made people who bought music and how the music industry finally dumped it.

        I asked my publisher not to use DRM on my books, but of course I was ignored. Just as most traditionally published authors are by their publishers.

      • http://idealog.com/blog Mike Shatzkin

        Your opening three words constitute *excellent *advice. Apply it to yourself as well. Don’t assume that what makes sense in the music business where the unit of appreciation is a song — usually sold for 99 cents or $1.25 — will also make sense in the book business where the unit of appreciation for novels is something that publishers and authors often need to sell for at least triple that, and maybe ten times that price! And remember that publishers pay authors for the right to control the copyright to commercialize it. Writers are supposed to be the experts about the content; publishers are supposed to be the experts about the commercialization. There is nothing untoward about a publisher “ignoring” an author’s advice or requests or demands around something that has entirely to do with the commercial aspect of the publishing. Have you found in your life that you are always right? Your expression sure suggests that that is your conviction.

      • Robgb

        Publishers are supposed to be experts about commercialization but, unfortunately, so very rarely are. Few of the books they acquire are promoted to any great degree and, as we all well know, most of the marketing of the books is left up to the author, whose suggestions about how to go about that are largely ignored. He or she is expected to get a Facebook page, jump on twitter, start a blog, work up a list of media contacts (I always laughed at that one—isn’t that your job?), then sit down and shut up and let the “experts” do what they do. Which, as I said, in most cases is not much.

        This whole attitude that authors should shut up and write (clearly reflected in your response) is one that pervades the world of publishing and it’s not only wrong, it’s downright patronizing and pretty insulting.

        In fact, many indie authors are proving that they know the business quite well and are commercializing our work just fine. I and others have done a better job of it than our former publishers ever managed to, and that’s a simple fact that too many of you who are invested in traditional publishing either don’t believe or choose to ignore.

        As for always being right—I don’t make such claims. I just happen to believe I’m right on this particular subject. Maybe because i have experience both in traditional publishing and in the indie world and can see it from both sides. Too many of you who are claiming you know all have never actually walked in the shoes of indie authors and have no real clue what you’re talking about in that regard. You make many assumptions that simply aren’t true.

        But frankly, the moment I read your last line, my first thought was: kettle meet pot.

      • http://idealog.com/blog Mike Shatzkin

        You lost me on the “writers should shut up and write”.When it comes to me, “don’t make assumptions”. In your case, you should write *less*. Lots of words that don’t add much meaning. Your characterization of publishers’ knowledge is an ignorant cartoon. There are certainly a growing number of successful indie authors who not only write well but know how to run a business. Most of them will, in the long run, either expand to being publishers themselves (as has already happened) or find a publisher with whom they can make a productive commercial arrangement Anyhow, the unprovable assumption that music equals books and that you KNOW that DRM rules should be the same as both remains as your undefended claim. However, you managed to throw a lot of good insults in there to distract from that omission.

      • Robgb

        Mike, I don’t make assumptions when it comes to you. I read your words. They’re very clear. You make your feelings about the separation of powers quite evident in nearly every post you write.

        As for insults, frankly, mine have been tame and few and far between. I have to bite my tongue quite a bit. But I do notice that insults seem to be your first line of defense when you read a comment you don’t like. Like calling someone’s comment an “ignorant cartoon.” That one really made me laugh.

        But here’s the thing. I used to believe all the things you say on this blog. I used to think exactly the way you do. I’ve used the same lines you use. Then I opened my eyes and got into the trenches and discovered a whole new world that wasn’t even close to what I assumed it was.

        All that said, I have to wonder how you and Steve and I manage to get any work done if all we do is go around in circles in the comments section of a blog. We are never going to agree on any of this.

        And I need to go back to creating content and commercializing it.

      • http://idealog.com/blog Mike Shatzkin

        I realized after your last exchange that the *reason* you know everything is because you’ve done both: published with publishers (so you know all about what they do and how they think) and now know all about self-publishing. Now that I know that once upon a time you believed what I believe and said what I say I know I’m on a path to Higher Knowledge and will hope to evolve to the point of intellectual omnipotence that you have already reached.

        Meanwhile, when you were dumb like me, perhaps the question of how you could assume that what worked for music also worked for books in all cases including DRM, occurred to you. Now that you’ve transcended that level, I guess there’s no need to answer it.

      • Robgb

        I’m glad you’ve seen the light, Mike. There’s hope for you yet. Come over to the enlightened side. It’s much more fun over here.

      • http://idealog.com/blog Mike Shatzkin

        I don’t think I could stand to have any more fun than I do now. My biggest fear is that luck evens up over a lifetime. If that’s true, I’m really screwed because I’ve had 67 years of good fortune.

      • Robgb

        In all seriousness, I’ve had 59 years of good fortune in which most of my childhood dreams have been fulfilled and, unlike many, I’ve managed to make a living doing what I love to do.

        Despite our little spats, I think we can agree that life is good.

      • http://idealog.com/blog Mike Shatzkin

        We can certainly agree that it is good for *us*!

      • Steven Zacharius

        Contrary to your experience I listen to every author or agent who contacts me. I don’t necessarily agree but I listen. One of the problems is that you can’t have some drm titles and others wo it. The eretailers can’t support this. We tried to do this with our digital first line but we were unable to.

      • http://idealog.com/blog Mike Shatzkin

        I’m asking around offline about that DRM point, Steve. I would wonder how Macmillan did it for Tor if what you’re saying about the limitations are true.

      • Robgb

        I publish on Amazon. I don’t put DRM on any of my books. I have that choice. I would assume the big publishers do, too, but have no idea. I’m speaking only from my own personal experience on this. Amazon doesn’t choose DRM. The publisher does.

      • http://idealog.com/blog Mike Shatzkin

        Haven’t yet gotten an answer from Amazon, but both Kobo and Google have come back to tell me that you can apply DRM (or not) on a title-by-title basis. I believe Steve was incorrect in the assertion that you can’t.

      • Steven Zacharius

        It was one of the big retailers that couldn’t do this. I don’t remember if it was Kindle or iBooks. I will find out. We did want to experiment with this bit we were unable too.

      • Steven Zacharius

        I found out it was the libraries that had the issue of DRM versus no DRM by publisher. And the only way to get rid of DRM on a specific title is to manually go in and change them individually. So when you have 5000 titles to go through and want to have DRM free books on some…it’s a tedious process and prone to manual errors. People are looking into solutions.

      • Steven Zacharius

        It could be different for kdp

      • Robgb

        Then don’t have any at all. Amazon doesn’t require DRM and will use it only if you specify you want it.

      • http://idealog.com/blog Mike Shatzkin

        I have just asked somebody at Amazon whether they’ll allow no-DRM to be applied on a title-by-title basis. I don’t know the answer to that question. And you didn’t do anything to clear that up in your response, so I will “make the assumption” that you don’t know for sure either!

      • Steven Zacharius

        Yes I could go all drm or no drm based on our account setup. At this point I still choose to utilize drm to protect the royalties and sales for our authors and us.

      • Elliot1234

        Aunt Hortense just won’t shut up about how pissed she is that she can’t share a good heart throbber with the girls. Why back in the old sorority house they all used to put their old books on that shelf below the maidenhead trophy, and every one shared. She says she can email the newsletter to all 117 sorority sisters in her chapter, so why can’t she do the same with books? After all, it’s her book. She just hates that old DRM thingy.

      • Elliot1234

        How does one compute the amount a publisher is losing? What is the formula? What is the procedure? If an exact number isn’t available, what is the general theory governing the amount of publishers’ loss?

      • Steven Zacharius

        All I can go by is the amount of illegal links that are reported from our service each month and the success rate of having them removed. There’s no way to figure out the actual loss.

      • Daniel Knight

        Mike, here is an article by Cory Doctorow on just this topic (DRM): http://www.publishersweekly.com/pw/by-topic/columns-and-blogs/cory-doctorow/article/53544-doubling-down-on-drm.html

        I think you would find it pretty enlightening. He includes quotes from several publishing CEO’s and executives who have said that removing DRM improved sales.

        As for big books, the CEO of Pottermore said they removed DRM from all Harry Potter e-books – and they seem to be doing okay.

      • http://idealog.com/blog Mike Shatzkin

        Daniel, I am totally familiar with Cory Doctorow and Pottermore. And I am not defending DRM. Unlike the commenters, I don’t claim to know for sure whether taking it off would cost sales of not. But I don’t think it is a crazy notion that it will. And I think whatever losses there are would tend to be concentrated at the biggest-selling end of the scale. If that is true, it is logical that the number of complainants would be larger than the number of defenders.

      • http://tasha-turner.com/ Tasha Turner

        Baen and Tor have found not having/dropping DRM is good for business. A business can insist on side loading to a specific kindle email address cutting down on the sharing issues. Most consumers buying books aren’t out to screw publishers.

        Might I share my DRM free book with my husband who has a separate Amazon account – yep.

        Am I going to share it with people outside my immediate family doubtful as I believe in authors getting paid. Might I make an exception occasionally for first in series where I think I can get a friend hooked on an author & buying legit copies, including replacing book 1, 10-15% possibly. Share with anyone who would not buy legit copies – no need the already know the pirate sites

      • http://idealog.com/blog Mike Shatzkin

        You’re right about Baen and Tor. I expect they’ll be copied. But they’re both in the same genre.

        Beyond that, we can’t generalize from our own attitudes and experience very meaningfully. Whether the slippage would be the 15% you project or some number much smaller or larger than that is not something you know. Nor does anybody else.

      • Steven Zacharius

        Tasha since you seem to be a publishing expert perhaps you can explain why Tor’s parent company hasn’t gotten rid of DRM on the rest of their books…the biggest of their books; since it’s worked so well for them. I’d like to see you invest $1,000,000 in an author and then not worry that their books are going to show up on a cd on ebay for 1000 other titles for 19.95. We have the proof in our the amount of takedowns that are sent out by our anti-piracy firm….thousands and thousands every month of people putting up links to download books illegally. Most people are not really bothered by DRM. If I go outside to the pool and see people reading their Kindles or Kobos or whatever; they’ve got no problems. If they want to share the books with their significant other; they share the same account and they both see the titles. No problems.

      • Steven Zacharius

        Do you have a reply Tasha? Why hasn’t Tor’s parent company eliminated DRM on all their imprints?

      • http://www.newnaturalupload.n.nu Nirupam Banerjee

        DRM is absolutely essential. [ I support Mike.] Otherwise: even “A Man in the Street” could share it practically an infinite number of times.

    • Steven Zacharius

      I’ve been told that if books are converted to html5 that they can be downloaded onto a Kindle. I don’t know if that’s true or not.

    • http://www.newnaturalupload.n.nu Nirupam Banerjee

      DRM is absolutely essential. [I support Mike.]
      OTHERWISE: even “A Man in the Street” could share it practically an infinite number of times.

      To tell further:

      DRM is the 21st Century ‘Alternative’ to the typical ©-page which once carried sentences like:
      “No part of this Book may be reproduced in any means (be it manual, mechanical or electronic) without the express written permission beforehand from the Author or Publisher.”

      Some people might not even read it. As we know…not all people read all types of books from ‘cover to cover’.
      So DRM reduces 1 page (& thus typing labour) from the book and addresses these people who have a ‘little less reading habit’. This is a good alternative in this mind-distracting facebook-filled 21st Century.

      Those who crack the DRM are now considered as just those who would violate the Copyright Notice even after reading it. The existence of DRM is not just a technical message like “Copy is disabled” but an implicit legal signal that —

      “If you STILL copy it…one or more of the Legal Actions like [1] ISP-blocking [2] Pressuring the Online Banks to stop corresponding payments [3] Threatening the Online Ad Companies to withdraw materials accompanying the unauthorized distribution [4] Forcing the Search Engines to not even indexing the distribution links [etc] MAY BE taken.”

      DRM should be seen in a holistic sense, not just in the techie dimension of it!

      And even there, in the technical aspect, who can guarantee that DRM shall always remain a static software i.e. it shall never undergo *Evolution*???

      • http://idealog.com/blog Mike Shatzkin

        To be clear, I think the jury is still out — in fact the case hasn’t been thoroughly argued — about exactly how to deal with DRM. I think publishers should be experimenting more with no-DRM publishing. But it is pretty obvious to me that the biggest bestsellers would lose tons of sales to casual sharing if it weren’t for DRM. And I think that is the case even now. I read Kindle; my wife reads Nook. We usually don’t read the same stuff. But when one of us tells the other about a book, we have to buy it twice. I don’t have a problem with that but a lot of people do.

      • http://www.newnaturalupload.n.nu Nirupam Banerjee

        The principle of DRM however expects — I believe — an entire family to enjoy/experience a single sale of the Book. It is not really directed to one person per sale, but one device per sale. And the concept of DEVICE can be likened to the concept of the Kitchen in a Household. It is not 2 in a household; in other words, the number of Households living in a given residential building is defined by the number of Kitchens in it. Likewise the number of Devices an ebook is inserted into defines the number of Groups (of people) it is catering to & not necessarily the number of exact People it is serving.

        And the more mobile the Device is — from Desktop Computer to Laptop to Tablet etc — the more the possibility of greater number of people being served per sale. So if *some* people still accuse DRM as 1:1 concept i.e. mere 1 person facility per sale (instead of N number of persons per sale viz. N:1 facility) [where N can be not only 2 but way more than 2 i.e. N>>2 especially in this age of the portable devices] then it is *their* problem, not the DRM advocates’!

        In a nutshell, DRM is not at all as restrictive as it is ‘defamed’ by those, especially in the light of the dynamic devices e.g. the Tablets etc which include the dedicated E-readers like Kindle & Nook. (Even in case of a static device i.e. the Desktop Computer, the E-book can at least serve like a Kitchen catering to N:1 instead of the 1:1 false paradigm.)

      • http://idealog.com/blog Mike Shatzkin

        DRM is, at the very least, a nuisance. It is a valid question whether social DRM — watermarking ebooks with identification of the licensee — would be sufficient to deter excessive pass-along. (I suspect it could be made harder, or at least *as hard*, to remove the watermark than it is now to remove the DRM.) And DRM the way it is managed now actually makes it harder for publishers to distribute their ebooks. It makes it impossible for them to distribute them directly to Kindle (which they *could *do with a social DRM.)

        This is not a question for which we know the right answer, no matter how emphatic the argument from either side.

  • John Andrews

    If publishers were to deal directly with readers, Amazon could ‘compete’ only by selling each book or eBook at a loss. The publishers could probably agree to share a search engine (like Alibris) with no ecommerce functionality. Traditional booksellers would, unfortunately, have to charge a premium for the service they provide.
    ps Am I right that bookshops used to have a margin of about 50% of the retail price and now get about 40%?

    • http://idealog.com/blog Mike Shatzkin

      John, publishers can’t and wouldn’t discount to the point that Amazon would have to cut prices to loss to compete. For lots of reasons.

      Bookstore discounts from publishers have not shrunk. 50 percent is high but I think it has been mid-to-high 40s for quite some time. Varies by publisher, by format, by size of retailer.

  • Heywood Jablowme

    “Collusion” – Really, with the quotation marks? Are you casting aspersions on the DOJ slam dunk price fixing case? Where the Big 5/6 and Apple were caught with their pants down colluding to fix prices? Where they paid up millions and millions of dollars in fines?
    Careful, Shatzkin, your shill is showing.

    • http://idealog.com/blog Mike Shatzkin

      I’m pretty clearly on record about the DoJ’s ridiculous case. You’re welcome to your opinion of my opinion. But you’re not welcome to my opinion.

      • willentrekin

        I dunno; the judge’s opinion seemed pretty sound — and is the only one that really counts, which supersedes yours.

      • http://idealog.com/blog Mike Shatzkin

        The judge’s opinion doesn’t supersede mine *here*. The judge is not entitled to *my *opinion. If you ever meet anybody that agrees with every decision by a court, introduce me to them. I never met one. And you’re not one either. The Supreme Court has been proving that judges can be wrong with remarkable consistency in recent years.

      • Elliot1234

        The judge’s opinion supersedes everyone’s opinion. It supersedes you here. Blog boundaries don’t matter. It doesn’t matter if you agree with the opinion. It doesn’t matter if you like it. It doesn’t matter if publishers like it. She wins. The people who disagree with her lose.

      • Heywood Jablowme

        Opinions are like bum holes. Everyone’s got them and everyone thinks the other person’s stinks. But the judge doesn’t have an opinion, he has a ruling. Which is all that matters in the scope of history until the matter is overturned on appeal or a new law.

        I’ve got a hill of beans over here, Shatzkin, and your opinion doesn’t measure up.

      • http://idealog.com/blog Mike Shatzkin

        Everybody’s entitled to their opinion. And you’re entitled to your opinion of mine. Court decisions rule, but court decisions can be wrong. Ever heard of Dred Scott? Or the election of a faux president in 2000? Court decisions don’t prevent people from disagreeing with them in a free country, and sometimes the people who disagree are proven to be right.

      • Heywood Jablowme

        Good luck with the Dead Ender schtick. Let me know how that works out for you.

      • http://idealog.com/blog Mike Shatzkin

        I really have no interest in “letting you know” anything! You’re completely welcome to never read another word I write.

      • Heywood Jablowme

        And miss watching you squirm? Nonsense, you’re in my RSS feed.

      • http://idealog.com/blog Mike Shatzkin

        Got it. And now that I know that’s your attitude, your comments will be deleted from now on. I really have other things to do than engage with an asshole who just wants to troll, and I’m certainly not going to give you a forum. I’m sure you can find another one on your own. Excoriate me elsewhere. It will help my SEO.

    • InklingBooks

      How silly, Haywood. For the DOJ’s case to make sense you’ve got to assume:
      1. That was nothing inherently wrong in Amazon owning (at that time) 90% of the ebook market and selling below cost to destroy competitors. In case you know nothing about the history of monopolies, that is THE classic monopolist move.
      2. That Apple, which at that time, had 0% of the ebook market, was in a position to force ebook prices higher and do that even though cheaper ebook were available on the Kindle app on iPads.
      3. That Steve Jobs, one of the most brilliant marketing geniuses of the last half century, would reduce the sales of high-profit iPads to make the 30% share of a bit higher ebook price.

      Some people, sad to say, have authoritarian personalities. When a judge speaks, they regard it as the words of an infallible oracle. Take it from someone who knows. There are smart judges and there are really stupid ones. This case had the latter.

      • Heywood Jablowme

        Yeah, the DOJ’s case was so weak that the publishers are sure to appeal the ruling. What? They’re not? How could they not appeal such a ‘ridiculous’ case?

        Oh wait! Apple is appealing! They have the best lawyers that money can buy! What’s this?! They lost on appeal and have to cough up 400 million dollars?! But the case is ‘ridiculous!’

        1. Amazon essentially created the ebook market. That’s not a monopoly. They did nothing to stop other entrants into the market. Which would be the classic monopoly ploy. Economics must no be your thing.
        2. How does someone break into an established market by charging higher prices for a fungible commodity?
        3. Wut? Jobs had his hits and misses. He needed content for iPads and the agency model was something he understood with Itunes and apps. Guess he wasn’t smarter than Jeff Bezos, eh?

        We are a nation of laws, despite what that fool in the White House would like. When a judge issues a ruling, that’s what you accept, appeal, or disobey and go to prison. Anything less is a dictatorship or anarchy .

  • Daniel Knight

    Mike, this is a pretty decent article on a number of ways traditional publishers have missed the boat on ways to compete with Amazon. However, quite a few of these come off as gimmicks or stop-gaps even if they would have been implemented. Traditional publishing should really be thinking about the two most important parts of the book industry – the authors and the readers. They need to be asking themselves how to make themselves more attractive to both parties.

    On a side note, if you are going to start calling Indie authors “Amazon authors” because indies get most of their sales through Amazon, then don’t you have to apply that same moniker (Amazon author) to just about all traditionally published authors as well?

    • http://idealog.com/blog Mike Shatzkin

      The authors published by major houses don’t claim to be independent. I am not planning to make that label a regular thing but the shoe fits.

      • Dan DeWitt

        So indie bands who make most of their money through iTunes (pretty much all of them) are “Apple artists?” Makes sense.

      • http://idealog.com/blog Mike Shatzkin

        Hadn’t thought about it and don’t know that industry, but yes, makes sense to me too as you frame it.

      • Dan DeWitt

        Noooo, it makes no sense whatsoever.

      • http://idealog.com/blog Mike Shatzkin

        If their revenue all comes from Apple, they are very unlikely to side with anybody against Apple. But, as I said, not an area I know much about. I *do *know that those who call themselves indie authors generally tend to side with Amazon in any conflict with the rest of the publishing community. Perhaps they’re unusual.

      • Dan DeWitt

        I don’t suppose you’ve considered the possibility that the reason indies have sided with Amazon so much is because publishing houses have been acting like a-holes and breaking laws and stuff.

      • http://idealog.com/blog Mike Shatzkin

        Oh, so THAT is the reason! Thanks so much for stopping by to enlighten me.

      • Daniel Knight

        How is “indies” (or independent author) not an accurate description/claim for self-published authors?

        We retain ownership of our copyrights. We are free to choose our own covers. We are free to choose our own editors. We have no non-compete restrictions that dictate what we can write and publish. We choose which vendors to sell our books through. Just because Amazon is one of the best options for sales (though not the sole option) doesn’t make us Amazon authors, any more than it makes publishing companies Amazon companies.

        Most indie authors are sole proprietorships – what could be more independent than that?

      • http://idealog.com/blog Mike Shatzkin

        People can call themselves whatever they want and the points you make are valid. I think most people are captives of the major sources of their revenue. They become beholden to them. That’s all I meant.

      • Dan DeWitt

        Oh, so you agree with his contention that most tradpub authors are also “Amazon authors.” It takes a big man to concede a point.

      • http://idealog.com/blog Mike Shatzkin

        Most publisher-published authors want a diverse ecosystem. Most self-published authors are perfectly okay with continued consolidation of the market within Amazon’s grasp. That’s a generalization I’m making without any data; maybe it isn’t true. But it certainly seems that way. And you don’t need to tempt me with the fact that you’ll praise me if I say what you want. A cheap trick and not one that would have much impact on me.

      • Dan DeWitt

        It was sarcasm, Mike. Jesus.

        At any rate, you know nothing about what indies really want (hint: it ain’t a world where there’s only Amazon). At least you admit that you, yet again, are making an argument with literally nothing to back it up.*

        *Also sarcastic praise.

      • http://idealog.com/blog Mike Shatzkin

        And my remark wasn’t sarcastic at all. You know that, of course, because of your superior powers of discernment.

        “Indies”, of course, are not all of one opinion. But there’s a large cohort of “indies” whose views are well summarized by your earlier comment: united in contempt of law-breaking publishers and thankful for the ever-helpful altruistic Amazon.

      • Dan DeWitt

        Show me this cabal of indies who think Amazon is just so awesomely benevolent and altruistic. I’ll wait.

      • http://idealog.com/blog Mike Shatzkin

        Ask my pal Hugh Howey! Or peruse my lengthiest comment strings.

      • Dan DeWitt

        I won’t speak for Hugh, but you may be misinterpreting where he’s coming from. As to your second suggestion … no. Just, no.

      • http://idealog.com/blog Mike Shatzkin

        As to the second suggestion, I wouldn’t do it either.

      • Elliot1234

        Contempt for lawbreakers is a virtuous.

  • Dan Meadows

    Two of your suggestions; create an alternate platform and deal directly, both are handicapped by their insistence on DRM, particularly the onerous Adobe strain. Maybe they should consider dumping that? At this point, there’s little hard evidence it has any major impact on piracy and it only serves to further their lock-in to Amazon’s platform. Admittedly, I’m not a DRM supporter but when something like that adds expense, doesn’t really do what it’s hyped to and helps keeps you beholden to someone you’d rather not be, it doesn’t strike me as a particularly good business decision to continue to use it.

    • http://idealog.com/blog Mike Shatzkin

      There are, of course, lots of smaller publishers and indie authors who do that already. We know that Macmillan has experimented with no-DRM at Tor and what they said was “it works”. At some point a big author or two will try it. I think Cory Doctorow, who isn’t James Patterson but sells very well, has put books out that way. If you believe in the marketplace, you’ll believe that, over time, people will discover that it makes economic sense. There is a “step increment”. Having no DRM on some books doesn’t get rid of a lot of costs. But having no DRM (as in “digital lock”) at all opens up new markets and gets rid of real costs.

      But I’m not saying anything here that the people running major houses and representing major authors don’t know. Nor are you. What I find both dumb and offputting is the dead certainty people have about things that can’t be “known”. The right approach is to be experimenting, like Macmillan did with Tor. If the secret sauce REALLY works, then some of these small companies working without it will show some explosive growth and get acquired by big companies that will learn from them.

      It’s about the bottom of the second inning. There’s a long game ahead and lots will change.

  • Christian K

    I am surprised that the Harvard article didn’t lean toward incentivising competitors, in this case Google and Apple, rather than trying to “roll their own”. The publishers don’t know how to do a ebook store. And ventures like the HarperCollins store are doomed to be niche players. See similar efforts in the digital space by any other publisher in any other media type (Warner’s, Origin, etc.) The only checks against Amazon’s dominance would be real competitors (i.e. getting Google, Microsoft, Apple to give a darn about ebooks) or another disruptive technology to displace ebooks.

    The publishers really need to ask themselves if the theoretical lost sales prevention provided by DRM is worth ceding the direct market to Amazon. DRM doesn’t prevent piracy (and was arguably never the intention). It does create vendor lock-in, however. By requiring DRM on the Kindle platform the publishers are insuring Amazon a very loyal customer for every eBook sold on that platform.

    If I was a publisher, and I wanted to break Amazon, the first thing I would do is think about things Amazon can’t do. Amazon can’t insure a customer access to a book (in the current format, or any future format) for the life of the copyright. Amazon can’t help authors get lucrative movie deals. I’d need to fix the Amazon lock-in problem (from all those DRM’d Kindle books). So, I’d get together with the other publishers to create a new startup (think Hulu) that has a “permanent digital platform” (in case evil Amazon every does something hinky with the Kindle store). Yes, the store would sell eBooks, but more importantly it would allow you to take your Kindle book and convert it to a Real eBook, because you know, we care about reader and all that. Also the store would build a direct relationship to the reader (anti-disintermediation!) Next, publishers are suffering from indie author bleed (the only thing Amazon can do that publishers can’t). In order to fight that I would start a Highway to Hollywood for authors, Twilight, 50 Shades, Divergent, Potter, Game of Thrones all come from tradpub.

    Sorry for the wall of text, got on a bit of a roll there…. (edited for clarity)

    • http://idealog.com/blog Mike Shatzkin

      Google and Apple don’t know how to run bookstores any more than publishers do.

      And, unfortunately, the things you outline for publishers to do better than Amazon strikes me as either very narrowly appealing (offering formats for life of book, etc.) or that Amazon could probably do at least as well (get them movie deals; Amazon is making deals with all the studios now and making TV and movie content themselves!)

  • http://claudenougat.blogspot.com/ Claude Nougat

    This is a fascinating post and you’ve made several important points, Mike, including two fundamental ones: one, that Amazon’s strength vis à vis Hachette (and the Big Five) comes from selling other wares rather than books (and books are now only 10% of their business); two, that the only people who could take on Amazon now are either Apple or Google.

    I couldn’t agree more.

    The trouble, as I see it, is that neither Google nor Apple have a really customer-friendly bookstore. I’ve tried to navigate them and each time, I gave up, too many loops to jump through. Amazon’s website, by comparison, is a joy to navigate!

    I’m no techie and I can’t figure out what would be needed for an online bookstore to be really customer-friendly (at least, I can’t figure it out beyond a few obvious points) but the ability to refine a search by one’s tastes and likings as Amazon appears to be able to do really would make the difference.

    However, what turns me off of Amazon is their insistence on sales rankings as the major way to govern the placement/display of titles to anyone navigating their site. I know that they offer other filters (like the average number of stars of reviews) but that’s only a beginning and it’s not really helping a reader to “discover” or distinguish between a good read and a poor one. Amazon customer reviews are simply not the equivalent of a good professional review on the New York Times or the UK Guardian – and I’m not even talking of specialized magazines like Granta.

    A lot of self-published books are hopeless from an editing point of view (poor structure, a plethora of typos, wrong title, awkward cover design etc) and that happens because anyone can publish on the KDP platform, there are no quality gatekeepers anywhere on Amazon. Whereas the Big Five consider, and rightly so, that what they publish has the imprimatur of their name, a guarantee of quality.

    Do readers not care who publishes a book? Indies keep saying readers don’t care but I’m not so sure. I know I care. I’ve gotten burned so many times reading self-published books that I’ve become very demanding: I always download a sample before buying…I suspect more and more readers have learned their lesson too and are now leery of navigating the sea of self-published titles…

    All this to say that I would welcome it if Amazon would tighten up the access to their KDP platform, asking authors to meet a minimum standard and even ask them to pay for the implementation of a minimal gate-keeping system ensuring that a book is adequately structured and typo-free, the way traditionally published books are. For now, it’s free, anyone can publish anything. And of course all the bad stuff sinks to the bottom, since out of the several millions of books in the Kindle Store, some 120,000 titles provide 50% of total revenue (that’s probably around 3% of the total number of books available in the Kindle Store). Yes, they get 50% of revenue from less than 3% of the titles (according to Author Earnings).

    My concern is that along with the bad stuff that sinks to the bottom, a lot of good books are taken down as well and disappear out of sight simply because they never make that #100 ranking…

    Bottom line, the problem remains one of book discovery and traditional publishers have in place a complex, well-honed system that ensures the cream will rise to the top while Amazon doesn’t. We all know what that traditional system is and it ranges from pieces written by respected literary critics (or authors) in the mainstream media and in specialized literary magazines to prestigious literary prizes like the Man Booker, Pulitzer etc.

    And that is a world closed to self-published authors. For how long? I don’t know, and I’d love to have your opinion on this. What can Amazon do to improve book discovery? The purchase of Goodreads so far doesn’t seem to have given any results, or has it?

    • http://idealog.com/blog Mike Shatzkin

      Some sort of quality review and ranking would seem to be called for. There are many ways to accomplish that aside from sales rankings, which actually aren’t a bad proxy at some point but will leave a lot of good stuff undiscovered. It IS unfortunate that neither Google nor Apple will invest the effort it would take to create a really good book discovery mechanism that would give them a store. Part of the problem is that neither of them is much interested in physical things, although Google is beginning to shake itself awake in that regard. Apple doesn’t even care about digital goods that don’t play on iOS!

      • http://claudenougat.blogspot.com/ Claude Nougat

        Google Play got one thing right compared to Amazon: it has “glocalized”, i.e. it allows customers in places like India or Japan to pay using local systems whereas Amazon insists that their customers use “internationalized” credit cards which can be a hassle for some (for example, in India, it means going to one’s bank). But book discovery remains the one tough nut nobody seems to be willing to crack…

      • Elliot1234

        Walmart is very interested in physical things. I wouldn’t count them out of anything.

      • Steven Zacharius

        Absolutely don’t count them out. There have been numerous rumors about them getting into the digital business for quite a while now. And they did announce building and opening more warehouses to compete with Amazon for quicker deliver for online orders.

    • Steven Zacharius

      Isn’t this one of the reasons they bought Goodreads?

      • http://claudenougat.blogspot.com/ Claude Nougat

        Yes, that’s what I thought too, but so far nothing has happened. And is really Goodreads about book discovery? On the basis of what criteria? Popularity with readers? But there are many authors on Goodreads, maybe too many to be able to judge something like “reader popularity”. In any case, no link has been established to the Kindle Store: you post a review on Goodreads, it does not automatically show in the Kindle Store,

        Actually, Amazon is too scared to establish that link, Goodreads members would feel they’ve fallen into the hands of Amazon. At the time of the purchase, there was an uproar of protest, do you remember?

      • Steven Zacharius

        Sure do remember the protests. I’m sure amazon is using those reviews somehow in their recommendation engine.

      • Heywood Jablowme

        Why else would Amazon buy Goodreads if not to leverage all those reviews? To ID up and comming Indie books and get them signed to an Amazon imprint?
        Amazon owns Shelfari, not sure if those reviews ever made it to the associated Amazon listing.

      • http://claudenougat.blogspot.com/ Claude Nougat

        Yes, that’s the catch. Shelfari was never used that way in all the years Amazon has owned it. I doubt Goodreads will be used – my feeling is that Amazon just bought Goodreads to set a foot in the place, i.e. prevent one of the Big Five to buy it! As to ID up-and-coming Indies, that is a great idea, perhaps some literary agent is roaming GR looking for the Next Big Novel, but I doubt it. The vision is a little too romantic to be credible…On the other hand, high visibility in GR goes hand in hand with a capacity to leverage one’s Internet presence.

      • Steven Zacharius

        Actually it has been integrated somewhat. At the end of a Kindle book it asks you to post a review on goodreads and brings up the webpage.

  • InklingBooks

    Quote” We don’t know, but we do know that Hachette sent lawyers to Washington early in the Obama Administration to call attention to Amazon’s growing marketplace power and their willingness to use it. That apparently had no affect (unless, in some perverse way, it contributed to the government’s interest in pursuing the “collusion” case).”

    Be careful Mike, you’re moving onto dangerous ground. I’d suggest you tell your tax preparer to be extra careful next year. You could become an IRS target.

    Do you remember the last election and the often-revised page Amazon had that tallied book purchases by party alignment and state? That means that Amazon not only can make conclusions about its customers’ politics by what they buy. It means they’re already doing so. And keep in mind a critical distinction. You can create almost any identity you want for online blog posts. Not so Amazon. Amazon has your credit card information and your address. They know who you really are.

    Actually, what Amazon could do in a tit-for-tat relationship with a particular party could be even more sophisticated than you suggest. To name names, since we all know what they are anyway, already existing preferences tracking code for Amazon could be politicized.

    * Those who’re clearly Democrats could be steered to heavily Democratic books–that’s called firing up the base–and away from Republican ones, lest their minds become troubled.

    * Those who’re in the middle will get a softer approach. They won’t get hot-and-heavy Democratic books, since that’ll turn them off. They’ll get the Democratic liberal and (this is important) what they’re likely to see as ‘nutcases’ among the Republicans.

    * Those who’re clearly Republican will get a package that’s clearly intended to remove any appearance of bias, lest they wake up to what is going on.

    * Finally, since Amazon knows where each customer lives, the tilting could be shaped state-by-state. They’d need to do little in Illinois, since it’d vote for a stray dog running as a ‘D.’ The same would be true for heavily Republican states. The less bias Amazon shows, the move stealth about what they are doing.

    The result is likely to be small, particularly with those with fixed party views, but it will be critical with those moderate votes in swing states. And keep in mind just how close some elections can be. I’ve read that 60,000 votes strategically placed, would have changed the 1960 election. This scheme is likely to shift far more votes than that.

    It’s also, as you hint, a near perfect explanation of why the DOJ isn’t simply soft on Amazon, its pursuit of Apple and the Big Five is virtually tailor-made to benefit Amazon, down to the drawn-out serial negotiations required between Apple and the Big Five. It is chilling easy to imagine a DOJ-Amazon conference in which the former’s lawyers asked, “What do you want us to do?”

    Spinning Amazon’s online and email book promotions would be the tit for that tat. I might add that’s precisely how Chicago-machine, pay-to-play politics works.

  • http://www.newnaturalupload.n.nu Nirupam Banerjee

    In principle, it is always better if the “Publishers” can do avoid Amazon. Publishers seemingly just need a kind of DIY approach in order to avoid ‘Court Cases’ with Amazon. Even if Hachette wins in the Court, it may not be a comfortable period until the victory is achieved.

    Already there are other sensitive problems like E-Piracy & Ebook-sampling & 21st Century Distraction-management etc for the Publishing Industry as a whole! In such delicate times, it is all the more important to avoid playing a chess match with Amazon. Where gambits & counter-gambits & other opening preparations & middle game strategies & endgame techniques may exhaust the Publishers’ mental & physical energy if they don’t have the kind of stamina & inclination like the Soviet Grandmasters of the USSR system.

    It is better to launch a Universal Trade Publishers’ GENERAL website. Where all English Traditional Publishers should UNITE & sell their Ebooks DIRECTLY to the Consumers. And if required, a dedicated new E-reader mobile device can be manufactured as well from the Publishing Houses.

    • http://idealog.com/blog Mike Shatzkin

      Sorry, this is fantasy-land. Publishers can not create an entity that can meaningfully compete with Amazon. Amazon has a huge installed base of consumers who are with them for many reasons having nothing to do with ebooks. They have millions of Kindle customers who don’t want to switch to some other reading system. Publishers must work as hard as they can to develop distribution alternatives to Amazon, but they can’t live without Amazon and do a proper job for their authors. That’s being demonstrated right now by Hachette. Their authors are definitely being hurt.

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  • Aidan

    I found this article to be quite interesting. And I too, am surprised that the government isn’t asking question as Amazon does appear to be a monopoly and “bullying” the market.

    However, I also feel that the publishing houses were incredibly slow at catching up with the times, so they should blame themselves a tad.

    Needless to say, most people like to shop all in one place. And like a deal. If you can buy a paperback for 1.99 or 11.99 – which one would you buy?

    Anyways … 😀 I liked this article.