The Shatzkin Files


Returns may be going, but some book sales will go along with them


Sometimes expressing your opinion can have unintended consequences.

In a post last week, I observed that the explosive growth of ebooks made it likely, in my opinion (shared by others, some of whom are in high places), that as many as half the book purchases could be online purchases by the end of 2012. I see many consequences of that change, but one of them is likely to be a complete reconsideration of the long-standing industry policy of accepting returns from retailers and wholesalers of unsold inventory.

My reasoning was that once returns only help you reach half the potential market, viable publishing becomes possible without them. And with perhaps more than half of the brick-and-mortar outlets (by that time) for most books (excluding bestsellers, which are sold in mass merchants) being accessed through a single retailer (Barnes & Noble) that has its own distribution centers and a managed supply chain, returns would start to fade away. (With their robust supply chain capabilities, B&N will be able to work the new marketplace, which will undoubtedly feature a higher discount no-returns option, to their competitive advantage.)

I didn’t deal with my feelings about that (mixed) or the impact on sales I would expect (damaging), but I’m moved to do so today because my prediction has led to a celebration in anticipation of that turn of events, a 2-part series (Part 1 is here and Part 2 is there) called “Publishing 3.0: A World Without Inventory” by agent, ebook publisher, and digital thinker Richard Curtis. He casts preprinted inventory distributed with returns as “the speculative model” and a no-returns marketplace supplied largely with books printed on demand as “the prepaid model.”

Richard characterizes returns as “a bargain with the devil” and “an addiction”. He cites return rates in the neighborhood of 50% (which they are — and even higher — on some books but which they are not for any publisher across their list) as the killer of publishing profits. But I think Richard leaves two very important realities out of his analysis:

1. Inventory creates sales that would not take place without the inventory placement.

2. Publishers (and Richard’s clients: authors) have a great deal to gain from the publisher’s practice of selling returnable.

In fact, this piece effectively argues that a responsible agent will prefer a publisher that allows returns to one that does not for their client, if the royalty rates are the same (and often if they are not.)

Before making the two arguments promised above, let me deal with three realities that are often elided when returns are discussed.

First of all, book publishing is not the only business with returns, despite frequent claims by returns skeptics that it is. Newspapers and magazines have returns, of course. But, apparently, so does technology hardware! I learned this hearing our client Copia present itself and its parent company, DMC, to publishers. DMC is very deep-pocketed. They make the point that putting out six ereader devices (which they are doing) requires the financing to put tens of millions of dollars of inventory onto retail shelves, and taking them back, eating the cost of producing them if they don’t sell. That’s one reason why there are few upstart manufacturers of consumer electronics. Even if you could get in the door at Walmart and get an order for your gadget, the financing required to fill the order would be beyond anything but a large and well-established company. So the principle that the manufacturer insures the retailer who stocks speculative inventory is not applied to books alone.

Second: publishers are customarily asking retailers to put books on their shelves before there has been any public exposure to the title. It hasn’t been reviewed (except possibly by the diminishing industry sources for pre-publication reviews); it hasn’t been sampled by the public; it hasn’t been read by the sales rep pushing it or by the buyer deciding about investing in it. The promotion plans are promises that are sometimes not kept. It is a competitive requirement to offer returns in that situation if the publisher wants the books in place at retail on publication date. I have never heard a clear narrative about the introduction and spread of returns in publishing. Curtis’s account, which confirms my understanding, is that the practice began in the 1930s. This was before my Dad’s time in the business; he thought it was Viking Press that began the practice. But the practice apparently spread so quickly that nobody got clear credit for starting it. And we all got a lesson about the competitive requirement when Harcourt Brace Jovanovich tried to eliminate returns (in favor of much higher discounts) in 1981 and rescinded the policy in about 90 days because the trade just wouldn’t stock their books.

And third, publishers’ practices affect returns. Most returns from major retailers to publishers are on big books for which the publisher wants to force out a quantity that creates a noticeable presence in the stores. There are occasions when the over-ordering is due to retailers being zealous or concerned that they’ll have trouble getting replenishment inventory. But, more often, they are due to publishers pushing out bigger quantities because they know that bigger stacks in the store make the book move faster. Or because the rep wants credit for a bigger sale. Or because the publisher’s discount schedule rewards a larger buy with a better price.

(It is commonly suggested by no-returns advocates that publishers at least eliminate returns on backlist. It would be a dumb publisher that did that. The way you entice the trade to buy without returns is by increasing the discount, shifting margin from the publisher to the retailer. But backlist returns are already low for most publishers. So following this suggestion would lead to a publisher giving away margin to reduce returns on the segment of the list on which there aren’t many returns. It is worth noting that no publisher that I know of has taken the bait to eliminate returns on backlist.)

And all that leads to me making the first point: that inventory creates sales that wouldn’t otherwise occur. The point is made over and over again, most recently by Bowker PubTrack data (click that link and take a look; it’s quite startling) that what happens in the store — how books are displayed and what clerks say (which is also affected by how books are displayed) — influences a lot of purchases. If we don’t have retail locations with books merchandised to entice people to buy, I believe overall book sales will go down. And as long as we do have stores (which we will for quite some time, even after the end of 2012), then the books well displayed in them will have a competitive advantage over the books that are not.

And the first point leads to the second point. The author, in effect, “hires” the publisher to maximize the sales of the author’s book. Pushing out inventory and taking the returns that enable pushing out inventory are part of what a publisher does for an author that the author can’t do for herself. While I believe that publishers will move to no-returns and no-inventory models for many books, and that will enable the publication of  books that would have been too risky the conventional way, the sales expectations for these books will definitely be lower than for those published with inventory and risk. And let’s remember that the cost of each book produced is substantially higher printing one at a time compared to a press run. Press runs are distinctly more profitable if returns aren’t astronomical and very few books are published with the expectation of astronomical returns.

So the days of returns may be numbered, just as the days of brick-and-mortar bookstores likely are numbered, but that’s not a good thing for overall book sales or even for the profits of publishers. For the books with highly-targetable audiences the effects will be less damaging but for the books that sell the most — the kind that agents represent to publishers — it will mean a great reduction in the chances that the book will take off and reach big numbers. And for the publishers that step down from returns by managing them before they eliminate them, there will be a real competitive advantage.

I didn’t make it to London. I’m in good company. My friends who are in London are wondering exactly how and when they’ll get home. Of course, there are far worse places to be stuck.

I see in today’s Shelf Awareness that The Bookseller in the UK has been sold by its corporate owner to an entrepreneur (its publisher, Nigel Roby) just a week after Publishers Weekly in the US was sold by its corporate owner to an entrepreneur (its long-ago former publisher, George Slowik.) There are powerful structural and institutional forces that have weakened the inherent position of a trade magazine for trade publishing in both markets and making a success of them will be a real challenge. We wish the bold new owners luck with their ventures.

  Back to blog

  • http://ozandends.blogspot.com J. L. Bell

    My understanding is that before the 1930s publishers offered returns on an occasional basis, as a way to encourage bookstores to take a chance on a new author or increase their buys. Then the new firm of Simon & Schuster announced that because of the Depression it was offering full returns on all its titles. Of course, most of the firm's books at that point were crossword-puzzle collections, which were (a) selling like hotcakes, or perhaps sodoku, and (b) impossible for a consumer to return to the store as pristine after reading/use. But because S&S's policy was out there, it pressured the other major trade publishers to offer the same terms.

  • samdodsworth

    Your argument here seems only to be about bestsellers, ignoring the harm that big displays and big discounts do to the midlist. Or am I missing something?

    • /blog Mike Shatzkin

      The midlist benefits from bookstores too. Whether you go to the biography
      section or the crafts section or the children's section, the bookstore
      display of titles is far superior merchandising to anything presented on a
      screen. And the signals of “presence” work far below major display
      quantities: the book with three copies that is faced-out is positioned well
      against the book with one copy that is spine out.

      Of course, where the Internet IS superior is for the book that isn't in the
      store at all. That's the Long Tail and, ironically, the Long Tail does a lot
      of damage to publishers and authors, but that's a subject for another time.

      Mike

      • samdodsworth

        I absolutely agree that bookshops are better at promotion than the Internet – their USP is serendipity, where the Internet's is searchability and the Long Tail. But what I'm wondering is if big displays of bestsellers harm midlist sales in bookstores?

        On the one hand, there's the question of weather you get better revenue from a big stack of The Latest Thing At 20% Off or a dozen interesting midlist titles face-out, at no discount. That's presumably something you can answer easily with some sales figures and a spreadsheet. But if serendipity is the bookshops' USP then there has to be a tradeoff of display space between the big stacks that pay your overheads and get people into the shop and the depth of stock that actually allows serendipity to happen.

        Or perhaps I'm completely wrong, and the real source of bookshop sales is not serendipity but impulse buyers who wouldn't look for a book on the web but might walk in if they saw a heavily-promoted title?

        (I'd be very interested to hear your views on the Long Tail, too, if you ever get around to writing them up.)

      • /blog Mike Shatzkin

        Different customers patronize bookstores for different reasons and shop them
        different ways. There's no question that the stock turn on front tables is
        higher than in sections. But those books are often discounted, so the GMROII
        (gross margin return on inventory investment) might not be higher. Of
        course, the turn and profit varies by section too. Bookstores try to balance
        stock according to sales, carrying more books in sections that sell better,
        but I'm still sure most stores make more return on mysteries than on poetry,
        more on kids books than on philosophy.

        For brick-and-mortar retailers, it is about getting the balances right. Any
        customer in any part of the store might see or wander into any other part of
        the store. Online that is not as likely.

        Interest in the Long Tail question is duly noted. I'll write about it
        sometime.

        Mike

  • Tim Wilkins

    Mike,
    I wouldn't be shocked if returns persisted a bit longer than you anticipate. The course adoption market produces its share of returns. College text buyers are buying based on anticipated enrollment and stocking new and used, so their buys are a crapshoot, but certainly not to the same extent as the chain buyers on new titles.
    Best,
    Tim

    • /blog Mike Shatzkin

      Good point, Tim. And I don't think returns will disappear quickly. I just
      think we'll see a big change in the conventions as the online share of sales
      rises and, if my hunch is right, passes 50% over the next 30 months.

      Mike

    • http://www.lacostepoloshirts.co cheap lacoste polos

      Bookstores try to balance
      stock according to sales, carrying more books in sections that sell better,
      but I'm still sure most stores make more return on mysteries than on poetry,
      more on kids books than on philosophy.

      • /blog Mike Shatzkin

        Now, in general I throw away these comments from URLs that are clearly just

        trying to sell something (as this one is) but, in this case, the comment is

        worthwhile so we'll let it stand.

        Indeed, bookstores keep some sections (like poetry and philosophy) that

        wouldn't seem worth it based on profitability alone because not to have them

        would be to have something other than a real full-line bookstore.

        Mike

  • Golly

    Fantastic article, thanks.

    I understand you were going to speak at the PA AGM – is that also now cancelled? If so, it would still be interesting to see the outline of what you intended to say in a blog.

    • /blog Mike Shatzkin

      Very unfortunately, I can't make the trip top London for the AGM as a solo
      exercise. It previously tied in to London Book Fair and a range of other
      appointments I made to fill in the time in between. When I had to cancel
      LBF, I had to cancel the long-bought plane tickets and those other
      appointments, which meant cancelling AGM as well.

      I take the point that writing up some of my key points for the blog would be
      a good idea.

      Mike

  • http://www.chelseagreen.com Margo Baldwin

    I notice that not too many people are commenting here and I think that's partly because the entire issue of returns is just off the table, at least for the big publishers. Chelsea Green has also been at the forefront of trying to get the industry to eliminate returns, mainly from an environmental standpoint, since the waste in terms of natural resources and energy use is enormous. I did an article for PW about moving to a zero waste model a few years ago, arguing that in the age of climbing energy prices and global warming, it's actually immoral to keep up this practice, and that net income would increase if the real costs of returns were ever really factored in.
    As a company, we have tried to reduce our returns rate ( 20%, not very high to begin with) by partnering with independent bookstores in a green partnership program (higher discount, no returns). Our overall sales have increased with these stores, not decreased. Last year we had 7% growth overall and our returns rate was 15%, which most industry people would say is too low. But we are a backlist oriented publisher, with a lot of how-to and reference titles in a specific niche, and I think that makes all the difference.
    Also, in terms of working with independent bookstores, we are experimenting with a branded area/consignment model that will incorporate shared markdowns of slow moving inventory as well as ongoing sales and special promotions, including exclusive access to overstock (press release announcing this will be forthcoming this week). If bricks and mortar stores are going to survive, we think that it will be because they develop strategic relationships with publishers who share their community focus and mission.
    In the end, my sense is that the returns problem will be “solved” by the transition to digital books, along with a focused POD strategy, and print runs for titles that sell over 1,000 copies a year. If/when oil spikes again above $200/barrel, then you will see a lot more disruption in the physical distribution channels. This kind of waste just cannot go on when energy costs are this high, but it's something that the publishing industry (like many others) simply ignores at its own peril.
    Margo Baldwin, President & Publisher, Chelsea Green

    • /blog Mike Shatzkin

      If you've achieved higher sales with lower returns with a no-returns policy,
      you've certainly achieved the Holy Grail. I doubt that would be a widespread
      experience. Your backlist focus definitely helps keep returns down: my guess
      is that, if returns are 25% overall for the industry, they are over 35% on
      frontlist and under 15% on backlist (the numbers are guesses, but the
      direction of the numbers would be right.) So your returns percentage is
      going to be lower if your backlist mix is stronger. Your returns percentage
      is also going to be lower in a good year following a bad year and your
      returns percentage will be higher in a bad year following a good year. Why?
      Because returns come from books you sold a few months or a year ago, not the
      books you sold this month.

      There are ways to reduce returns with measures far short of strict
      no-returns policies. If you make the minimum order lower, you'll reduce
      returns. If you cut back on discount incentives for larger orders, you'll
      reduce returns. If you ship more promptly and efficiently, you'll reduce
      returns. If you help stores stay aware of what's selling so they keep
      ordering what's moving, you'll reduce returns (as a percentage.)

      Because Chelsea Green is a niche publisher, presumably making many sales
      outside of traditional channels that *expect* returns, you might also see
      returns reduction based on changes in your account mix.

      I would be very wary of suggesting that eliminating the right of return
      would actually increase sales. There is no logical reason for that to be the
      case.

      Mike

      • http://www.chelseagreen.com Margo Baldwin

        Mike, I'm not saying that sales will go up overall, I'm just saying that we did not experience a drop in sales when going to nonreturnable with a specific group of stores and that our overall sales went up last year at the same time that our returns rate went down. What I do think is that net income should go up even if sales decline if returns were eliminated. I believe that getting a lot more efficient would boost industry profits all around, both for publishers and bookstores. I think the big publishers hang onto returns more for emotional reasons than business reasons; they just can't imagine a different system. It's the same reason they hang onto long lead times and advance orders in a world that is moving at warp speed. I've even heard that lead times are increasing! transformation

      • /blog Mike Shatzkin

        Margo, I don't think the big publishers do much for “emotional” reasons and
        certainly that's not behind keeping returns. As I'm sure every publisher who
        tries this will find out (and you probably have to), very large accounts do
        particularly like this idea. If you're dependent on very large accounts for
        your business, you are strongly discouraged from trying it. You'll note that
        I'm predicting it will start to happen when the power of the large accounts
        – indeed, when the power of press runs — has sharply diminished.

        Mike

      • http://www.chelseagreen.com Margo Baldwin

        Well, maybe emotional is the wrong word. Maybe fear is a better one. But, for whatever reasons, they're hanging onto practices that no longer work because they have trouble imagining a different way of doing business. And the very large accounts are in the same position, kind of frozen in traditional practices while the business model dissolves before their eyes.

      • /blog Mike Shatzkin

        Sorry, I just can't agree with that but, then, I don't think returns are
        “immoral” either.

        I think there are solid commercial reasons for both publishers and retailers
        to have returns be a component of their trading practices. And, as I tried
        to point out in the piece, books are not the only business that has them.
        When manufacturers want retailers to take a risk putting their products on
        the retail shelves, it is “fitting and proper” (as Lincoln said in another
        context) to include returns as part of the business proposition.

        And I find in your response the glimmer of admission that the total sales of
        the books sold non-returnable might be a little bit less, although, from
        your perspective, that's compensated for by the fact that the bookseller and
        publisher are more profitable. That might be true, but what would you think
        if you were the author? *I'd* think that a publisher who sold no returns was
        reducing my sales in the name of efficiency, so a higher percentage royalty
        would be appropriate.

        The big guys deal with agents who zealously guard their authors' interests.
        They are living in a different world than small publishers, but the
        differences aren't mostly about sentiment or nostalgia. Or even fear.

        Mike

  • marytod

    Hello – I’m a newcomer to those blogging about the publishing industry and have recently read many of your blogs with great interest. Changes in the industry remind me of my consulting days when we examined the phenomena of e-commerce and endeavored to provide our clients with sound advice as their businesses faced the challenge of incredible change.

    The word disintermediation comes to mind – the opportunity (or threat, depending on one’s perspective) to shift the paradigms of an industry. Those whose primary function was to aggregate or to broker and those who did not add value were most likely to be steamrollered out of existence.

    When I look at the writing industry – a term I prefer to the publishing industry – in its simplest sense, I see writers and readers: writers want their books to be enjoyed and valued, readers want enjoyment, advice and interesting content. Those who sit in between writers and readers provide mechanisms to connect these two principal actors. Technology is threatening these roles.

    The virtual marketplace http://www.etsy.com is an intriguing example of changing dynamics between producers of goods and the buying public. Individuals display pictures of items like clothing, jewelry, clothes, toys and, yes, books for those who wish to purchase. Etsy connects them with individuals who wish to buy. No bricks and mortar retailers, no distributors (except for the postal services who ship goods), no agents, just an online aggregator. And, it’s a worldwide market.

    What also strikes me is that individuals make it happen. In the parallel world of writing, perhaps writers and readers need to take a more active role?

    Mary Tod

    • /blog Mike Shatzkin

      There is definitely a growing writers-to-readers marketplace
      disintermediating traditional publishers. You can see it in companies like
      Author Solutions and Lulu. And you can see it in genres, particularly
      romance. At Digital Book World last January, one of the most highly-rated
      sessions was an interview with the romance publisher Ellora's Cave, which
      preserves their role as a publisher by giving consumers lower prices and
      authors much higher royalty rates than the established publishers do.

      But publishers do add value in other ways: improving the quality of the
      published book and marketing being two of them. And, for a while longer,
      they are needed to handle the logistics of printing books and putting them
      on store shelves. So I think it will take some time before the sales of
      books without publishers overall will amount to any really measurable
      percentage of total book sales. It certainly isn't there yet.

      Mike

      • marytod

        Thanks for your response. I agree with the value provided by publishers, agents, retailers and influencers. I was trying to suggest that writers and readers can take a more proactive role in the overall process, rather than remaining in their traditional “boxes”.

      • /blog Mike Shatzkin

        And on that point, we totally agree.

        Mike

  • Pingback: Midday Links: More Amazon Review Drama, Scholarly Edition | Dear Author: Romance Novel Reviews, Industry News, and Commentary

  • marcoferrario

    Mike,

    maybe I missed something in your previous posts, but it's not clear to me if you refer to copies sold or revenues when you wrote “ebook sales would reach 20-25 percent of the sales for new works of narrative writing by the time of Obama’s reelection in November 2012.”

    Since you refer to IDPF figures, you're likely talking of revenues. This doesn't affect your points about returns, but since the average price of ebooks is very likely to be lower then the paper books price, it means the number of copies (or downloads) of that 25% will be higher in the digital version.

    The question is: are we facing a smaller market in revenues or a bigger market in copies (downloads) shifting from paper to digital, maybe liked with a higher number of titles?

    I agree that the returns risk can be used as a powerful marketing tool to push sales (and margins) on certain titles, but no returns will allow larger catalogues: lower sales per titels, but many more titles. Furhtermore, if 50% of sales won't be sold through phisical shelves, marketing people will come out with some new tools or techniques to sell more copies or downloads per title.

    • /blog Mike Shatzkin

      Marco, I'll admit I'm mixing the revenue apples and the units oranges.

      The IDPF figures (revenues) show the trend of growth being 3x or 4x at the
      moment, month over previous month last year. Trade publishers are reporting
      ebook sales are 3% or 4%, but that doesn't include a lot of titles
      (illustrated, of course, and a lot of backlist.) Anecdotal reports suggest
      that sales of narrative titles in ebook form are now high single to mid
      double digits of *units*.

      I'm putting all that together and suggesting that ebook sales will be 25% of
      *units* sold of new narrative books by the end of 2012. And that another 25%
      of units (printed) will be sold through the Internet. I quite agree that the
      price and revenue for each unit of ebook sale will be lower; it is not
      nearly as clear that the *margin* to publishers will be lower.

      You're right that if I were forecasting 25% of *revenue* to be ebooks that
      would imply much more than 25% of units. I'm not. My point in this piece is
      that a publisher will be able to get at more than half the *customers* (units!)
      without a press run through Internet-made sales. (The weakness of my logic,
      by the way, is that without the merchandising that would take place
      in-store, the total sales, including the Internet part, might go down.)

      I don't agree with the contentions in your last paragraph. I don't think
      eliminating returns increases the number of titles a publisher can carry
      successfully. Returns tend to go down as a percentage for the lower-volume
      parts of the list anyway because those books are seldom ordered
      speculatively by stores. And marketing people will, of course, keep
      discovering new ways to push books online, but it will take a long time for
      them to make up for the enormous value of putting books in front of
      committed book buyers by category in a retail environment.

      Mike

  • elizabethburton

    In citing over-ordering to avoid being unable to obtain stock should a book become popular, you ignore the basis of Mr. Curtis's discussion, which is that on-demand printing makes returns unnecessary. POD titles are never out of stock. Therefore, one need not order an excessive number of copies because however many one requires can be had immediately.

    I will also commit the blasphemy of stating that returns–or rather, the addiction to returns–is not only injuring publishers but independent booksellers as well, but allowing them to operate marginally rather than having to develop a business plan that isn't dependent on publisher support.

    That's not to say publishers shouldn't do all in their power to be supportive, but “literary welfare” isn't the answer. When not even generous discounts in exchange for no returns go ignored, it strikes me as ominous.

    • /blog Mike Shatzkin

      In the real world, bookstores are extremely limited as to what they can
      print POD, by trim size and quality requirements, and, much more, by the
      complex world of rights. Both the format flexibility problem and the rights
      problem are complicated and depend on things that you can't “program” your
      way out of. So, at best, POD is a partial solution to a bookstore's
      inventory for the foreseeable future, like 10 or 20 years.

      But, even then, I don't think a bookstore can make it delivering books to
      order. You'd need the same number of machines as a store now has cash
      registers, at least. And it would take a lot longer to “ring up” the person
      who wanted six books, say, than it would today. It just isn't practical.

      I'm not quite sure how to respond to the “blasphemy” and “ominous” parts, so
      I'll just leave that for the hardy souls who get down this far in a comment
      string to ponder.

      Mike

  • Pingback: Short Stories and Comics: Niche Markets with Core Lessons for STM Publishers « The Scholarly Kitchen

  • Pingback: A Halfway House for Returnability Addicts | Publishing In the 21st Century

  • http://www.lacostecanada.ca lacoste online store

    Thanks for your response. I agree with the value provided by publishers,
    agents, retailers and influencers. I was trying to suggest that writers
    and readers can take a more proactive role in the overall process,
    rather than remaining in their traditional “boxes”.

  • http://www.ralphlaurenpoloshirtsonline.co.uk ralph lauren sale

    Superb read. Thanks a lot for sharing this with us. 

  • http://www.hermesdream.com/html/Birkin_40_226.html Hermes Birkin bag 40 Black Tog

    This is a pre-order bag from Chloe’s upcoming season. The Ava shoulder bag is made with sunkissed,used coach handbags, soft leather, the bag is certainly more suited to warm weather than the darker days of winter. It has a flap closure that covers the entire front of the bag and is secured with a gold turn-lock closure. The hardware on the adjustable shoulder strap is gold as well. Price: $1,190.