Some ebook observations


Just had a very busy day at the London Book Fair. It is hard to post from here; I don’t have my normal 12 or more hours a day at the keyboard of my laptop. But what Book Fairs are all about is the compressed opportunity to encounter smart and knowledgeable people and I had the chance to check out and validate some thoughts I’ve been having about ebooks.

1. The proliferation of formats, devices, screen sizes, and delivery channels means that the idea of “output one epub file and let the intermediaries take it from there” is an unworkable strategy. Here are two simple reasons for that (I’m sure there are many others):

*Epub can “reflow” text, making adjustments for screen size. But there is no way to do for that for illustrations or many charts or graphs without human intervention (for a long while, at least.) Even if you could program so that art would automatically resize for the screen size, you wouldn’t know whether the art would look any good or be legible in the different size. A human would have to look and be sure.

*The link between text and footnotes, and the easy ability to jump back, is a huge variable among ebooks in different formats. There is apparently some sort of manual work and quality control here that isn’t necessarily done by a downstream converter.

Publishers will find that they must do a QC check on every version of their ebooks which is offered, and a “version” can occur every time a component of the supply chain changes.

2. The branding of ebooks is a mess. The publisher brand is being obliterated. You are buying a Kindle ebook or a Stanza ebook or an Iceberg ebook or an eReader ebook and not Random House, HarperCollins, or Hachette. Publishers are apparently just allowing this to happen. This is pretty ironic because most of the same publishers are mistakenly trying to imbue their brands with consumer significance. For the general trade publisher, that’s not actually possible (since they are not distinguished by their content or their audiences). But if it were possible, the quality of their ebooks should be a big part of it going forward and they’re relinquishing the role of “owning” that voluntarily.

In some ways, they’re also relinquishing their primary responsibility as a publisher, which is to control the quality of the product they deliver for their authors to the authors’ readers.

3. The evolving discount structure for ebooks can’t possibly be sustained. Retailers always use margin to gain share. If publishers sell ebooks to eretailers for 50% off, consumers will soon be buying them at 40% off.  On the one hand, we are ten years into a paradigm of imitating brick-and-mortar pricing and terms and it is difficult to change it. On the other hand, ebooks are still only 1% or so of most publishers’ sales, so any change made now will be “early” in the overall scheme of the ebook business.

Somebody’s got to start building a glide path to a sensible structure. This will be complicated, because publishers in the long run will be much more likely to sell digital downloads direct to consumers than physical books. That means that just going to net pricing wouldn’t be much of a solution. With the publisher selling the books online, any intermediary would be able to calculate what percentage of the retail-to-consumer they were being asked to pay.

The conversation about the prices of ebooks have centered around the costs that publishers don’t incur: printing, binding, cash tied up in inventory, warehouse, returns. But publishers say the manufacturing cost of a book is only about 10% of the retail price and we still have to maintain the operation to do all the printed book stuff and we are still investing to build the infrastructure to do the estuff.

Everybody’s right, but we’re ignoring the retailer side of it.

Retailers also avoid a lot of cost: rent, clerks, cash tied up in stock, shelving, returns. They also have front end investing to do to build an infrastructure to process a digital download business.

I think if I were a big publisher, I would make it clear that the era of 40, 50, 55, 60% off retail for digital downloads is one that must come to an end. I’d lean to a phased reduction and, in the short run, all kinds of support (including additional margin) to help “retailers” (Stanza, B&N Fictionwise, Apple’s and RIM’s App Stores, and every store served by Ingram and Content Reserve) build their offering and their capability. 

The big publishers will have extraordinary leverage to recreate the paradigm. When there’s an ebook market of a size that matters (getting close), people will search Google for their favorite title if the search at their favorite ebook retailer doesn’t deliver the title. There will definitely be retailers that will take the business at lower margins, as can the publisher itself. Boycotting high profile books will be a very dangerous strategy for a retailer.


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  • Publishers are going to have to seize control of the pricing and discounting throughout the supply chain to achieve lower prices to consumers and manageable margins themselves.
  • As Mr. Shatzkin says: "*Epub can “reflow” text, making adjustments for screen size. But there is no way to do for that for illustrations or many charts or graphs without human intervention (for a long while, at least.) Even if you could program so that art would automatically resize for the screen size, you wouldn’t know whether the art would look any good or be legible in the different size....".

    I'm a technical writer working in epub and this is what's driving me crazy. I want illustrations for everything and there's no way to keep things together nicely using Adobe InDesign as the epub creation tool. If any knows another application that would be better suited please let me know!
  • Jeff Rutherford posted these comments on his blog. For some reason, he had difficulty posting it here. I re-post his comment below with my thoughts interspersed preceeded with "MS".

    See Jeff's post unresponded to (and his other stuff) at http://jeffrutherford.com/ebook-pricing-may-for...

    Mike,

    I have to respectfully disagree with you. I would wager that if you walked into a bookstore today and asked 100 random people to name three specific publishers, you’d be hardpressed to find 10 who could give the names of three. Sure, bibliophiles know the names of HarperCollins, Penguin, or Random House. However, the vast majority of the buying public don’t buy books based on publishers. Instead, they’re interested in buying the new Stephen King, the new Dan Brown, etc. Consumers buy specific authors - or titles - not publishers.

    MS: Could not agree more. Publishers' names are B2B tools. It is within the spirit of enhancing their B2B reputation that I think they should claim branding of their ebooks. You're right that very few consumers will notice (although ebook consumers might notice more than others...)

    Re: pricing, I also disagree. Many technology pundits have started warning publishers, “Rethink, rethink, rethink, rethink your pricing for books, and if you can’t bring yourself to radically examine your pricing, then you’re headed down the same, sad road as the music industry.” As smartphones continue to multiply, as netbook sales increase, and as the eBook industry continues to grow, the book publishers’ Napster is not far off. Hackers love cracking code, and if eBook prices don’t dramatically decrease, hackers will gleefully crack the eBook DRM out there, and distribute the latest bestsellers via an eBook Napster service.

    MS: So the choice is between selling books at prices that don't make any money or inviting piracy? Perhaps. I am not sure how this indicates any disagreement, though. I think that maintaining economically viable pricing is going to be damn near impossible. You seem to agree.

    Sure, there’s printing costs, and sure there’s fixed costs for publishers, but we all know that distributing a digital eBook file costs less than a penny. That’s a concept that someone with zero knowledge of the book industry can grasp, because just about everyone sends attached files via email these days.

    MS: True. But I buy software on the net all the time that costs $10 or $20 and also costs a penny to distribute. So?

    Why can’t publishers follow the instincts of the master retailer himself - Sam Walton? I’m paraphrasing, but Walton often said, “I’d rather sell a million pairs of socks, and make a nickel from each pair, than sell 100 pairs of socks and make $100 per pair.” Publishers could dramatically lower the price of eBooks and make up the difference in volume.

    MS: Master retailer Walton has devastated a lot of producers with his push for the lowest price. Following his philosophy if you're a retailer makes a lot of sense (which is why I advocate cutting retail discounts for downloads, so they have less margin to give away.) Following it if you are a manufacturer does not and following it if you are responsible for getting a creator value for intellectual property is an abandonment of responsibility.

    Why not sell backlist paperback titles for $1.00 a piece in eBook format - and split the net profit 50/50 with the author? The $1.00, $2.00, $3.00 price point is such an affront to publishers, they won’t even seriously consider it, and they try to justify - with a straight face - charging a trade paperback price for a digital file that cost them basically nothing to distribute.

    MS: Looks to me like a formula where nobody makes any money.

    Realistically though, I don’t see that type of adventurous pricing happening. Amazon is taking a loss on just about every hardcover title they sell on the Kindle for $9.99. Publishers aren’t budging on prices. And, as publishers try to justify their eBook pricing with elaborate explanations and justifications, the hackers are eating pizza, sleeping under their desks, coding around the clock, and the eBook Napster gets closer and closer.”

    MS: Napster won't be the problem. The publishers are inclined to give ebooks away to promote authors and pbooks. The job will be done for the hackers before they get to it. And don't forget half-a-million free PD titles from Google for your Sony reader (today; for other devices tomorrow.) At least in the bookstore, Mark Twain wasn't discounted by infinity over James Patterson. In the ebook world, he is.
  • bowerbird
    why not simply continue the conversation? :+)

    you might think of it as "getting the last word in",
    but i consider it to be a sign of respect to interact.

    -bowerbird
  • bowerbird
    mike said:
    > “It will happen sooner or later”
    > I think stands as the key prediction,
    > “it” being a wee bit undefined.

    i carefully defined "it" as "critical mass".
    that's when the bomb detonates, mike.
    and when that happens, you'll know it.
    it's like falling off a cliff -- hard to miss.

    and we definitely _will_ fall off this cliff.
    we are constantly heading to the edge...
    the only unknown is when we'll get there.

    but we are most definitely heading there.
    as i said, i can easily point to the rise of
    blogging as the birth of "self-publishing".

    the fact that it doesn't seem, on its face,
    to challenge the publishing of "books" is
    only because we define books so narrowly.

    but i think that many of us know (for sure)
    that we're reading fewer books because we
    are spending more time reading online, so
    it's not hard to generalize that as a trend,
    and see the big impact on book-publishing.

    it's not how many e-books are being sold --
    it's how many p-books are _not_ being sold,
    because we're now reading the web instead.


    > “The tech is ahead of the mindset”
    > doesn’t tell me much.

    it _should_, since you're trying to tell people
    that the problem is that the tech isn't ready.

    your tech might be having some problems...

    but my tech _is_ ready, when people want it.


    > If you’ve created something simpler and
    > more powerful and better than epub,
    > you should get it off your hard drive
    > and into other people’s hands.

    the time just isn't quite right, yet, mike.

    but have you heard michael pastore and
    mike cane and moriah jovan complaining
    about how difficult .epub-authoring is?
    they're the canary in the coalmine, mike.

    when thousands of authors start saying
    likewise, _then_ the time will be right...


    > But, of course, the fact that you’ve
    > created something makes you
    > an “interested party.” I’m not. I have
    > no stake in epub or any other format.

    is that correct?

    first of all, my programs will be cost-free to
    authors and end-users, so i have no "stake".

    which doesn't mean that -- as an artist --
    i won't cheer loudly when the corporations
    finally exit publishing due to lack of profits.
    it'll be nice to be rid of the middlemen suits
    who've been siphoning off all of our money...

    second of all, you sell consulting, right?
    so you have a "stake" in keeping things
    complicated, right? "simple yet powerful"
    are words no consultant likes to hear, right?
    since nobody using a "simple yet powerful"
    system has ever hired a consultant, right?

    -bowerbird
  • I know it is futile to try to get the last word with you, bowerbird. You can consider me "at rest" on this topic as of the last reply because I'm happy to let it stand right here for anybody who reads it. Or if you need one more coda, go right ahead.
  • On the web we have this concept called graceful degradation.

    While a web site may be designed to look a certain way, the designer has no control over how the user will see that site. The end user experience might be impacted by any number of issues, including bandwidth, screen size, screen resolution, web browser (or version of browser), disabled javascript, etc.

    As a result, designers have mostly gotten over the idea that they can control the design of a web page with pixel perfect precision. Instead, they design an optimal version with the understanding that the final design won't render perfectly for every user. However, regardless of the various factors that impact the final rendering of a page, the page should always degrade gracefully in such a way that the content is at least legible and usable for every user. That's the goal at least.

    Publishers are facing the same challenges with ebooks and would be wise to take a similar approach. Granted, this approach won't work for all books. But for many ebooks publishers need to acknowledge that readers will be reading those books on a range of devices and that layout and design probably won't be perfect from device to device.

    Also, consider that readers are likely to want more control over their reading experience. That means that readers will almost certainly be changing font size, font face, line spacing, justification, text and screen color, and more. So, even if a publisher manages to produce an ePub file that renders perfectly in Stanza on an iPhone, the preferences of individual readers are likely to modify the design and layout to the point where it's almost unrecognizable.

    I don't see this as a problem. That's just the way it is when you publish digitally.

    Yes, some books will always look better in print. And yes, some books simply won't work very well (or at all) as ebooks -- but they may work very well as some other form of application that we don't currently recognize as an ebook.
  • First of all, thanks for teaching me things I didn't know.

    Over time, this may change, but right now I'd say the viewer's expectations for a web page, which almost always is free, is different than for something they pay for, particularly if that something is called an e"book" and imitates a "book" in so many other ways. Publishers -- or at least good and conscientious publishers -- think through the look of what they're delivering to the viewer's eyeballs. That's the paradigm we're coming from.
  • bowerbird
    mike said:
    > Put a time frame to it, bowerbird.

    i can outline some parameters, sure. :+)


    > When is it we can expect all authors to be
    > not only going straight to their readers
    > but also to be such savvy tekkies that
    > they don’t need any help mounting
    > cross-platform high-performance ebooks?
    > Is that next year? The year after?

    i've got the tools sitting on my hard-drive
    that will allow an author to do it _today_...

    so it's more a matter of when authors come
    to understand that that's what they _want_
    to be doing. that's something that has been
    happening, and will continue to be happening.

    when it gathers enough critical mass to explode?
    nobody really knows. i've been creating the tools
    for some 20 years now, waiting for the elusive spark.
    so as far as i'm concerned, it's already long overdue...

    you probably know of other authoring-tools as well,
    such as the suite coming from bob stein's companies.
    they just haven't gotten uptake from the public yet...

    we're all just waiting. it'll happen sooner or later... :+)


    > And what’s the curve on that? I mean,
    > we know ebooks have been more than doubling
    > each year and we’re up to 1% of the sales now.

    you and i don't measure things the same way...

    blogging is now up 28,793% over a decade ago.

    so when those bloggers decide to take a break from
    the everyday, and -- upon some reflection -- realize
    they have more than enough material for a _book_,
    if they only just edit it down, then we'll be talking...

    (and therein probably lies the clue to the uptake issue;
    most people didn't know they had a whole book in them.
    but a short post? well, heck yeah... i can manage that!)


    > What percentage of the books sold are from authors
    > who just cut out the publishers? How fast will that grow?

    you're probably talking about gate-keeping right now.

    that will continue to be an important function that many
    publishers continue to play into the intermediate future.

    but long-term -- and again, here we could be talking about
    next year, or the next few years, or not for 5 or 10 years,
    but _eventually_ -- collaborative filtering will take over...

    not just for books, but for the immense content-pile, as
    the only sensible way to pull needles from that haystack.

    once collaborative filtering takes over, publishers are fully dead.
    even their deep pockets will no longer confer any advantage...


    > I fully agree that the percentage of books author-published
    > will rise steadily (and much faster than their sales will rise.)
    > But that’s a long way from a world where authors self-publish
    > books where cross-platform is not “particularly difficult” and
    > footnotes are a “non-issue.”

    and i say that's where you are wrong, mike. the tools are
    already programmed. the tech is far ahead of the mindset.
    you don't know it because you're looking at the wrong tech.

    the reason i'm such an "enemy" of the .epub format is
    because i've already created something that is simpler
    _and_ more powerful at the same time, ergo "better"...


    > In the long run, we’re all dead.

    viva la france...

    -bowerbird
  • "It will happen sooner or later" I think stands as the key prediction, "it" being a wee bit undefined.

    "The tech is ahead of the mindset" doesn't tell me much. Microsoft tried to explain that to publishers in 1993 when they were trying to sell everybody on creating multimedia experiences on CD-Rom. (I'm on record at the time -- in posts elsewhere on this site -- as saying "this is nuts.")

    If you've created something simpler and more powerful and better than epub, you should get it off your hard drive and into other people's hands. But, of course, the fact that you've created something makes you an "interested party." I'm not. I have no stake in epub or any other format.
  • #3 on pricing and discounts:
    Why is it that 1,000 people (or 200 or 4,000) will download an ebook (or ebooklet) off an expert or author's website at $27.00 or $47.00, but retail book market (online and in-store) is pushing prices down lower and lower? Is it an experience that people get at an author's website, blog, or Twitter feed that engages, and a sense that they'll be connecting with the author at some point down the road?

    Yes, some of the books and products are underpar and are sold with heavy-handed sell-page tactics, but many of them have a lot of value.

    Something to contemplate: what makes somethings valuable at "fee" or "free" in the book world today?
  • Janet, I think the answer to your question is "verticality." The author's web site defines "vertical" interest of a sort, particularly if it is about something other than a book or author (like "how to sell real estate.")
  • bowerbird
    mike-

    well, we could have a discussion about
    how to make photos work cross-platform.

    but the bigger point here is that authors
    will soon be going directly to their readers,
    at the lowest price possible, meaning there
    will be no money on the table for publishers,
    in which case i do believe you'll lose interest,
    so there's little point in having that discussion.

    but, just in case you're wondering, we will be
    able to handle that issue fairly satisfactorily...

    (to some extent, the problem can't be solved;
    a smaller viewport will always be inferior to a
    larger one, especially if detail is important; but
    no one expects us to break the laws of physics.)

    footnotes is also a non-issue... i know it's hard
    for you to feel that, given the full crappiness of
    the "solutions" you might've seen, but trust me.

    in general, cross-platform quality-control _is_
    attainable. it's not even particularly difficult...

    especially once an author starts a _relationship_
    with her readership, such that quality-control --
    in the form of proofing, editing, bug-fixes, etc.
    -- becomes one of the ways that fans "give back"
    in reciprocal appreciation for a low e-book price...

    heck, the more clever authors might even decide
    to start planting some glitches, the better to give
    readers an easter-egg incentive for close reading.

    (you might know that knuth pays his readers for
    bug-reports, with most recipients so far having
    decided to _frame_ the check, not _cash_ it...)

    -bowerbird
  • Put a time frame to it, bowerbird. When is it we can expect all authors to be not only going straight to their readers but also to be such savvy tekkies that they don't need any help mounting cross-platform high-performance ebooks? Is that next year? The year after?

    And what's the curve on that? I mean, we know ebooks have been more than doubling each year and we're up to 1% of the sales now. What percentage of the books sold are from authors who just cut out the publishers? How fast will that grow?

    I fully agree that the percentage of books author-published will rise steadily (and much faster than their sales will rise.) But that's a long way from a world where authors self-publish books where cross-platform is not "particularly difficult" and footnotes are a "non-issue."

    In the long run, we're all dead.
  • We can have pictures in ebooks. We just can't have integrated illustrated books in the way we get them in print (unless we just view PDFs of print pages.)
  • Epub can “reflow” text, making adjustments for screen size. But there is no way to do for that for illustrations or many charts or graphs without human intervention

    This isn't the case. ePub supports Scalable Vector Graphics (SVG), a format which is designed to do exactly that.

    While I take your point that it's impossible to know whether a complex line chart will look "good" on a mobile phone, I would argue that mobile phone readers will certainly be aware of that. If the chart content is important to them they'll simply switch devices when the need arises.
  • I just don't buy the idea that somebody who bought an ebook and is reading it would then just switch over to look at it on another device. First of all, as we know, that isn't always possible (Kindle?) and, even when the digital files will allow it, the lack of proximity of a machine might not.

    There is no substitute for QC that looks at each component of an ebook on the device we are telling the consumer they can use for it. I have learned since I posted that we could actually put mins and maxes into the file in XML, but unless a human looked at those mins and maxes to make sure they worked, that's not a solution either. Same thing...
  • Bravo, Mike.
    to Point #1 - I believe this is where publishers will continue to find their relevance in the digital age. You have said this before, "format matters". Publishers will need to be responsible for how a work looks (or doesn't look) in the digital age. That has a real cost, and a real impact on sales.

    to Point #2 - I don't think this matters. Publisher brands have never been important. No one really cares that Stephanie Meyer is published by Hachette. No one will really care whether its the Stanza or Fictionwise version either.

    to Point #3 - the good news here is that we are arguing semantics about how e-book are being sold and not whether or not e-books should be sold.

    to the last point - retailers - I think this sorts itself out a little if publishers stop looking at retailers as customers and start looking at them as extensions of their sales forces. I also think that we're probably only 1 - 2 years away from an aggregated e-book distribution network that can be used by independent retailers, much like the physical distribution networks created by Ingram and B&T.
  • To the extent that publisher brands mean anything, they mean something concerning the quality of the renderings they deliver. And though nobody cares that Stephenie Meyer is published by Hachette, they might care that their ebook gave them unlookable-at pictures or didn't link the body text to the table of contents.

    There are already ebook aggregations that can be used by independent retailers; that's what Ingram Digital and Content Reserve deliver. But having these things as stand-alones not connected to the retailer's overall offering is weak. Amazon is also weak that way. Maybe B&N will get it right, now that they're going back into the digital downloads business.
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