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Territorial Rights
Delivered April 13, 1999 to the Booksellers Association of Great Britain and Ireland Annual Conference, Amsterdam
by Mike Shatzkin
I
want to thank the BA for the opportunity to address this meeting today.
At my only other opportunity to meet this group, at the Dublin meeting
two years ago, you were the most stimulating and responsive audience
I can remember. It is a pleasure to be here again. I also want to thank
Vista Computer Services for both suggesting and sponsoring my appearance.
The
erosion of the English-language publishing "territory" controlled from
London has been accelerating for about three decades. Whether or not
this erosion is an inevitable consequence of the end of what once was
the British Empire, it is, of course, disconcerting to the publishers
who once controlled more than half of the global English market. The
first serious shot across the British publishing bow took place in the
early 1970s, when American publishers were apparently compelled by the
US Justice Department to discontinue the extant practice of respecting
the British publishing territories as a routine in contract after contract.
This effectively trumped the enforcement of that policy by the British
Publishers Association, which acted in defense of its local industry
in a manner quite legal and respectable in Britain but considered a
"combination in restraint of trade" under American law. The
growth of global companies and the understandable self-interested behavior
of the Canadians, Australians, and New Zealanders to protect their own
home industries are also forces hastening this erosion. Now you'll rarely
control Canada from London, and you have to meet stringent delivery
requirements to maintain control in Australia and New Zealand, even
if the British publisher buys those rights under contract. Recently,
British publishers feel themselves under assault in their own home territory.
The new Europe brings the threat that American editions could be imported
by British stores from Continental wholesalers. The American online
retailers cheerfully serve a global market, mostly with copies purchased
from American publishers and wholesalers, with little apparent regard
for what the rights situation might be in their customer's home country.
And American wholesalers, who are seeing their entire marketplace shift
domestically as their terrestrial retailer market shrinks and their
online retailer market grows, are looking to export increasing numbers
of American editions, taking advantage of lower American prices in the
still-frequent cases when they exist. And
British retailers seem to be among the most attractive growth customers
to these wholesalers. The
changes wrought on English-language distribution over the past three
decades have all had perceived self-interest at their core. Although
the American Consent Decree was overtly a case where the US Government
"ordered" American publishers to do something, they actually placed
the power of the US Government against the power of the British Publishers
Association. Until the Consent Decree, no British publisher could do
a deal that didn't include Australia, say, without running afoul of
the powers-that-be within the publishers' own industry. After the Consent
Decree, no American publisher could routinely accept that requirement
without running afoul of the US Government. And,
of course, Canadian-ownership laws and the more recent requirement in
Australia and New Zealand that controlling publishers must get copies
into the country promptly upon availability anywhere else or forfeit
their control are totally logical when viewed from a local perspective. There
is an evident nostalgia among British publishers for what really were,
by comparison, "the good old days." That it was "better then" is not
just a figment of somebody's imagination. There is no doubt that the
most direct impact of three decades of globalization has been to redistribute
market share and wealth that once belonged to London. But the genie
can not be jammed back into the bottle. It is out. The world not only
HAS changed, but it will continue to change in some predictable ways.
The digital revolution is still in its infancy. The
biggest changes coming in the short run will be caused by digitally-driven
production and distribution changes. The basic tools to drive these
changes are in place. One is the hand-held reader, or what some people
called the "electronic book", which exists in at least two commercially
viable forms now, the RocketBook and the SoftBook. Content archives
for each of these hardware choices are too small have much impact yet,
but they are growing. The
second big digitally-driven change is the new "print-one" option. The
early leader in this area is Ingram's Lightning Print system. Tying
the "print-one" capability to a wholesaler makes so much sense that
Baker & Taylor is doing it too. What "print-one" is doing is fostering
a whole new publishing model, which may often be author-driven, and
which has some of the characteristics of what we used to call Vanity
Publishing. But tied to Internet promotion capabilities and the easy
supply of Internet retailers like Amazon by the wholesalers who can
print the copies, this can suddenly become a model with commercial potential. Both
of these new technologies, which will, I predict, become obvious to
nearly everybody as forces to be reckoned with by the end of this year,
1999, further accelerate the trend toward a global, rather than territorial,
publishing model. They will, over the next couple of years, be joined
by "print-in-store" and "print-at-home" models. The
combination of "no inventory" publishing and Internet retailer distribution
turns the historical economics of publishing on its head. Economies
of scale become increasingly elusive; the relative value of capital
in relation to knowledgeable effort is seriously diminished. The economies
of scale that remain in this context relate to subject-specific marketing
and, increasingly, making repeat sales to prior customers. Not
that centrally-printed and -distributed books are about to disappear;
that eventuality is at least ten, perhaps twenty, years away. The issuance
of the infamous Starr Report in the US demonstrates how far we have
to go before that occurs. The Starr Report was available free on the
Internet before, a week later, bound copies made their way into bookshops.
Competing publishers with slightly differentiated editions sold hundreds
of thousands of copies. Perhaps some of them were sold to people who
still don't have Internet access. But many were sold to those who do,
but who were happy to pay a fair price for the convenience of a centrally-printed-and-bound
version. I
would like to make one more point before I propose the principles that
I think should govern each country's individual response to the question
of territorial rights in this period of rapid transition. It is simply
this: many of the complaints that one hears about how market protection
needs to work today can be addressed from publisher-to-publisher. Surely,
if the prices of US and UK editions are reasonably close to the same
and if those two editions are first available at the same time, a number
of the concerns one hears expressed would quickly evaporate. And,
indeed, that is the direction we seem to be headed. Rights traders I
have spoken to suggest that these questions, which used to be ignored,
are now frequently the subject of discussion and coordination, even
if not made a contractual issue. It
is important to remember that retailers and wholesalers are NOT party
to contracts with the copyright-holders, authors or publishers. In the
United States, there are laws PROHIBITING manufacturers from telling
purchasers how or to whom they may resell what they buy. So it is futile
to suggest that Random House or Penguin "control" Ingram or Amazon,
at least in the United States. In
Britain, publishers feel their position slipping and are looking for
relief however they can find it. Booksellers recognize increasing competition
from global competitors, and will feel increasing pressure from their
own customers to provide globally-competitive prices and service. And
British authors will want access to the full global market, and will
wonder whose side their publisher is on if they hear that British publishers
are doing anything that would tend to reduce the sale of their books,
in any edition and to any customer. So,
recognizing that continuing governmental and collective action within
local components of the English-language market are both reasonable
and inevitable, I would urge initiatives to conform to two principles,
which are very much inter-related: 1.
Nobody not a party to a contract should be asked to abide by it, or,
put another way, nobody should be asked to live up to a contract they
never signed. 2.
Nobody in the supply chain should be drafted into the role of "rights
police". It is the proper function of the market to fill orders and
satisfy customers; it is an improper demand on intermediaries to ask
them to research rights, effectively putting forth extra effort to find
orders to turn away. The
advice I offer here apparently has at least one virtue: it coincides
with the reality of British bookselling as it was reported by respondents
to some questions the BA posed in the past 60 days at my request. Fifty-four
percent of responding booksellers say they are increasing their ability
to source books from offshore English-language publishers. Sixty
percent have detected awareness from their own customers of international
pricing differences. Thirty-eight
percent feel competitively driven to obtain books at the lowest possible
price, even if that means foreign rather than domestic sourcing. But
only fifteen percent put much effort into determining the underlying
rights situation for books they obtain offshore. Fortunately,
our survey of publishers showed that most of them are not sticking their
heads in the sand, or passively expecting marketplace rights enforcement
to preserve their profit margins. Although
only fifteen percent of responding publishers think agents are changing
their demands in regards to rights; thirty-five
percent say they are proactively changing their contracts concerning
rights, forty-three percent have changed policies about what rights
they seek to control, and *sixty-five* percent have changed internal
policies to improve publishing efforts in markets other than where the
book originated. Forty
percent say that internet bookselling and globalization have changed
the way they price their books. Fifty-five
percent of publishers say their English language rights revenue is rising,
and seventy-five percent say their export sales are growing. Obviously
from these responses, many come from global companies, but they all
come from UK headquarters and a UK perspective. Publishers seem, consciously
or not, to be responding to the booksellers' realities. They are not
beating their heads against the wall to increase the paltry 15 percent
of booksellers who even claim they worry about doing rights research
that could cost them a sale. They are responding to the same marketplace
conditions the booksellers are experiencing, rationalizing pricing and
publishing policies to reflect a globalizing world. And
they also seem to be saying, overwhelmingly, that the markets offshore
are growing. We didn't ask the question, but if we did, I'd bet we find
that means one thing: Europe. There
are great inherent strengths to British publishing. The home market
it serves and can reach the best is clearly the second-largest in the
world. Britain has a natural opportunity to be dominant in Europe, perhaps
the fastest-growing English-language market. And British publishers
are more experienced and comfortable with co-edition publishing than
their American counterparts, so the books that benefit from that kind
of publishing, which, as it happens, will be the last part of the market
affected by hand-helds or print-one models, constitute another market
niche of natural advantage. Building
on these strengths and developing the capability to publish global-interest
books themselves in the US market, is the path to a new prosperity for
British publishing. Bemoaning the changes that must come and squandering
industry resources and efforts to preserve old ways whose time has past
is a waste of resources and energy that will, in the long run, not pay
off for British publishers, booksellers, or authors.
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