Ebook growth explosive; serious disruptions around the corner


The news about trade ebook sales growth continues apace. The IDPF has just said that sales in June 2009 were up 136% over June a year ago. Calendar year sales to date are up about 150% over 2008.

Anecdotal information from big trade houses suggests that ebook sales are approaching 3% of total sales. But not all the books big houses sell are “ebookable” with current technology: much of the juvie list, most illustrated books, and books where tabular or graphic material is important might well not have been made into ebooks. So the number is larger, maybe 5% or 6%, of the straight narrative books. And because not all of everybody’s backlist is yet available in ebooks, sometimes because of rights issues and sometimes because it just hasn’t been digitized yet, the number is higher for straight narrative new titles. So maybe that’s at 8%. Now!

And the chart of the sales trend that IDPF shows would certainly suggest we’re still seeing accelerating growth. There’s no reason to think that will stop; in fact, there is every reason to think the growth will gain additional impetus. New reading devices are coming and new features are coming for existing devices. Growth in ebook uptake to now was achieved with no help from the biggest purveyor of consumer books: Barnes & Noble. Now they’re jumping in to the pool with both feet. They have announced a partnership with Plastic Logic on one new reader and there is a rumor they will have another one of their own.

And the Apple tablet is going to be a reality, which many people think could be a Kindle killer. It won’t be, but it will surely be a Kindle challenger and it will grow the market in various ways, including making good ebooks from a lot of books that weren’t good candidates with the previously available screens.

The market is still dominated by Amazon and by Kindle, which may be selling 70% of the trade ebooks at the moment. Publishers are saying that seeing 50% of Amazon sales on a title in Kindle is not unusual. On most big books it is 30 or 40 percent and rising.

It has been reported that this is going to be a big Fall for big books: the late Michael Crichton, Pat Conroy, Jon Krakauer, Dan Brown, E.L. Doctorow, Margaret Attwood, John Irving, Philip Roth, Barbara Kingsolver and many others will have books hitting the shelves between now and Christmas.

If that has any effect on ebook reading, it should be a spur. Of the 90+% of book readers who do not (yet) read ebooks, some know they will, but they just haven’t started yet. Since ebooks are cheaper than their hardcover counterpart, sometimes — given the price wars taking place among retailers — a lot cheaper, the plethora of hot new books should be a merchandising tool to sell devices and to get people who already have ereadable devices like iPhones to try this new way of consuming print content.

And then we have another piece of news: that Sony is pushing its partnership with Content Reserve to boost use of Sony Readers by libraries.

When we get to the point that the ebook share of a new book is consistently 25% or more, we will start to see real strain on many aspects of today’s business model. And we can expect to reach that point before Obama runs for reelection, perhaps in the next 18 months. I don’t want to try to get into answers in this post; it’s enough to just think about the questions. Consider…

1. Bestseller lists. Right now ebook sales don’t get added into bestseller list numbers. With Kindle sales (by our informal estimate) constituting about 70% of ebook sales and no apparent inclination by Amazon to report those sales, that’s a hole that will exist for a while. With all the big books coming this Fall, publishers will have a chance to see how ebook sales vary by author, genre, pricing, and ebook release strategy. Will authors whose audiences switch to ebooks faster be punished on the bestseller list as a result?

2. Library sales. From the beginning, Content Reserve — the principal provider of ebooks to libraries, the power behind Baker & Taylor’s ebook provision and now in partnership with Sony Reader — has attempted to replicate the printed book world with a model that requires libraries to buy the number of copies they want to lend simultaneously. So if a library wants to lend 100 copies of the new Dan Brown at the same time (assuming it is available as an ebook), they’ll have to buy 100 ebooks. But what is not factored into the current model is that print books wear out. A library can only lend a print book X number of times before pages start to fall out. Replacement stock wouldn’t be part of the (current) ebook model. (In fact, with the new Sony deal for readers in libraries, it is the hardware that will wear out, so Sony, not the publishers, will get the replacement stock business.)

3. Library sales again. In the print book world, you have to go to the library to get a book and then go back to the library to return it. In the ebook world, you go to one web site to download the book for free and another one to download it and pay. Consumers are bound to notice. How will publishers that are spending a lot of money and time chasing down pirate copies respond to that?

4. Market fragmentation. Amazon is 15 to 30 percent of a book’s sale; somewhat less when the book has big distribution through mass merchants and somewhat more if a book is long tail and hardly available except on the Internet. That number is rising. They are perhaps 70% of ebook sales. How long will it be before an author says to publishers “I’ve handled Amazon. Would you like to offer me a contract for the rest of the market?” And with another big chunk at another single retailer, Barnes & Noble, an author’s agent could make two deals and get half the potential market. Won’t that be an enormous temptation?

5. Health of the brick-and-mortar channel. As ebook sales climb, many of those sales will be cannibalizing print book sales (although our friends at O’Reilly say that isn’t happening yet; at least not for computer books.) That would suggest we will see declining sales through stores in the years to come. But stores are the publishers’ most important marketing and merchandising tool. If we do start to see narrative books selling 20% or more as ebooks, what can publishers do to help save brick-and-mortar shelf space? What can the stores do?

6. Pricing and timing. There is uneasiness among publishers about simultaneous ebook release, based on the the bestseller list problem, the bookstore preservation challenge, and the intense ebook pricing competition that is driving prices to the consumer far below wherever the publisher tries to set them. At least one publisher has held back the ebook of an important title for several months as a result. The view from here is that the right strategy is the opposite: get the ebook out as fast as possible to get word of mouth going before the print books hit the stores. (We’re not advocating holding back the print book here; just acknowledging the reality that printing, binding, and shipping take time and the book is “finished” when the PDF is finished.) What’s the right practice? Or does it, like so much in the trade business, “depend on the book?”

7. Ebook royalties. The author can get 85% from Smashwords (OK: no DRM, no merchandising, and not really a big league player…yet; but will it stay that way?); 80% from Scribd; 35% of sale price from Kindle. There are bound to be models also paying much higher than publisher royalties coming from B&N and from Indigo’s Shortcovers. How long will publishers be able to hold the line at 15% of retail or 25% of net, where ebook royalties are now. (Random House UK is trying to hold the line at lower numbers than that!)

8. New publishing models. When ebooks can routinely be 20% or more of a book’s sale, they can be 40% or 50% on many titles. The capital risk of publishing an ebook is a fraction of what is required to publish a print book. New entities are forming built around that reality; how long will it be before conventional publishers try an ebook-only, or ebook-first, approach on some titles? (Random House US is already publishing a number of Kurt Vonnegut short stories as ebooks only, where shorter content at a low price can be practical.)

The strategic thinkers at the big publishing houses, retailers, and literary agencies certainly have a lot on their plate.


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  • Yeah! It's true that most of the people today searched e-book rather than to buy a book, because books are too expensive. Me, always search e-book of networking.
  • One of the advantages of E-Books is its Availability- There are over 2 million free books available for download as of August 2009. [12]|date=January 2010}} Mobile availability of e-books may be provided for users with a mobile data connection, so that these e-books need not be stored on the device. An e-book can be offered indefinitely, without ever going "out of print".
  • anaclaudiaribeiro
    Dear Mike Shatzkin

    I just published an article called "The future of the book" (O futuro do livro - http://www.blogdogaleno.com.br/uol_texto_ler.php?id=5935&page=13) that talks about the blindness of brazilian publishing industry concerning e-books. Unfortunately, it's in Portuguese, but it has a similar content. I even used the "disruptive technology" concept there...
    My company, called E-papers, is now 10 years-old, and we have been working with electronic versions since the beginning.
  • Unfortunately, I'm unable to read Portuguese, but thanks for letting readers
    of the blog know.
    Mike
    --------------------
    Mike Shatzkin
    http://idealog.com/blog
    mike@idealog.com
    Founder & CEO
    The Idea Logical Company, Inc.
    Co-founder: Filedby, Inc.
    212-758-5670
  • carlkulo
    At RR Bowker, our monthly PubTrack Consumer survey is tracking the books that Americans are purchasing, including their adoption of ebooks (including what genres, outlets, download options they are choosing). We should connect on this!
  • When you buy ebooks from a reputable (good track record of sales and longevity in the business) you can expect a quality work. I publish thru 3 publishers, all with cover arts, editors, line editors and proofreaders that insure very few "mistakes" make it thru.
    Cost for most ebooks, mine included, range from less than $5 to around $10, at the small publishers.
    Some of my books even go to print and are available thru Amazon - POD, which can deliver one copy or hundreds. (Amazing!)
    This publishing model makes sense in todays world, right down to being "green" - saving trees.
    The convenience of downloading books into whatever technology suits you is fantastic.
    However, as with most digit things - there is a huge piracy problem - and very little hope of a solution on the horizon.
    Until we tackle this, some of the big houses might see the risk as too great (loss of income from pirated copies).
    I know it hurts me and my publishers.
  • ty111
    I love my local indie bookstore and worry about it, but the other day I woke up thinking...what if it became a place for readings and other author and community events? They could have internet access to downloads and maybe even the ability to crank out print on demand books. Of course there'd also be a smattering of gorgeous hardbacks (or pb) as decor..or for the aficionado to purchase.
    Maybe I was dreaming?
  • Tracy, the best bookstores are pursuing the strategy you are suggesting
    except that they still think the books there are for more than decoration!
    Mike
    --------------------
    Mike Shatzkin
    http://idealog.com/blog
    mike@idealog.com
    Founder & CEO
    The Idea Logical Company, Inc.
    Co-founder: Filedby, Inc.
    212-758-5670
  • Nice comments Mike.

    I can back up some of your statements with comments from the field. We have recently signed new customers that are ebook first and ebook only. Some do not even intend to print physical books. Others only print physical manifestations of their most popular ebooks. It seems it was not too long ago that things were the other way around - only create ebooks for your most popular physical books.

    In terms of ebook royalties, this will be a very interesting trend to follow, and I think it represents the competing forces of cheap versus quality. There are production costs based on specialized skills that are incurred to take a good piece of writing and turn it into a readable work. I would much rather read a book nurtured by a talented editor than one produced entirely by an author. I imagine that there will be all sorts of quality levels in between, and those will directly impact an authors earnings. There is more room than ever, thanks to the Smashwords and Scribds, to hire third party consultants to get a book into a quality, commercial release state. So while authors may earn more royalties, they may also need to pay more to consultants and services.

    Finally, regarding new publishing models, certainly ebooks will be part of the mix. I think and hope that the combination of the Book Rights Registry and the entrepreneurial spirit will yield entirely new models for monetizing content that may not even take the form of a "book". How do you factor these new models into bestseller lists?
  • David, thanks for your comments. There is no question that there is a
    substantial value-add from editing. I'll tell the story at more length some
    day in a blog post, but I have a friend who edited two books by an author
    that I found fabulous. Then he showed me a third book by that author that he
    had not edited and it was almost unreadable. So the first punch line is that
    editors are indispensible.
    The second punch line is that this editor is no longer employed by a
    publisher and is available for assignments.

    Mike
    --------------------
    Mike Shatzkin
    http://idealog.com/blog
    mike@idealog.com
    Founder & CEO
    The Idea Logical Company, Inc.
    Co-founder: Filedby, Inc.
    212-758-5670
  • I write and illustrate... got any idea when quality four-color illustrated ebooks will get into the game?

    http://robertwahl.blogspot.com/
    http://www.jacketflap.com/profile.asp?member=PYXX

    Inquiring minds and all...

    Haste yee back ;-)

  • I think that books with illustrations will still have a market in hard copy, even if most books are converted to e-books. Then again I'm still a sucker for actually turning a page and having a full bookshelf.
  • It isn't so much the market for print books that I fear for as the market
    for book*stores*. You're quite right that many illustrated books are best
    presented on paper (at least for a while longer...) But stores can only
    withstand a certain amount of erosion before they have to shut. So when they
    can't sell the word books, they aren't around to sell the picture books
    anymore.

    But you'll be able to get them online! And, in some cases, at Walmart.

    Mike
  • The expected Apple tablet could open things up for illustrated
    presentations. ScrollMotion already has a good reader for illustrated books,
    but it works on the iPhone so you are dealing with extreme limitations of
    screen size.
    Mike
    --------------------
    Mike Shatzkin
    http://idealog.com/blog
    mike@idealog.com
    Founder & CEO
    The Idea Logical Company, Inc.
    Co-founder: Filedby, Inc.
    212-758-5670
  • Name
    Interesting. It would also be interesting to see an article about small e-publishers who have been selling e-books for many years, paying their authors 35-40 percent royalties, and keeping the cost of e-books less than $5.00. Or maybe we should keep that quiet so big business doesn't ruin a good thing. :)
  • The minute one of those small e-publishers becomes big, you'll see that
    article everywhere. But one of the keys to their success is "low overheads."
    For the big boys, that ship has already sailed.
    Mike
    --------------------
    Mike Shatzkin
    http://idealog.com/blog
    mike@idealog.com
    Founder & CEO
    The Idea Logical Company, Inc.
    Co-founder: Filedby, Inc.
    212-758-5670
  • J
    FYI, Kindle sales are included in USA Today's Bestseller List.

    http://online.wsj.com/article/SB124831805170474883.html
  • Of course. I'd read that and forgotten it. Thanks for correcting my post.
    Mike
    --------------------
    Mike Shatzkin
    http://idealog.com/blog
    mike@idealog.com
    Founder & CEO
    The Idea Logical Company, Inc.
    Co-founder: Filedby, Inc.
    212-758-5670
  • KassiaKrozser
    It is a lot to think about. Just adding a few more thoughts: last week, a non-big six title topped the Kindle chart (I am loving Michael Cader's Kindle Krunching). In fact, this book was a digital-only release. While we noise from publishers about forcing authors to hand over digital rights or no deal, how do traditional publishers compete with the new models (your numbers seven and eight)?

    Also, we know that Harlequin is already doing digital-only releases (and, according to their authors, these are selling well) while HarperCollins hired a new executive, and as part of the press release, the goal is to explore digital-first or digital-only releases. So first steps have been taken. This is, I think, where questions about libraries and traditional booksellers really come into play.
  • Thanks for the updates, Kassia. Boy, it is hard to keep up these days!
    Mike
    --------------------
    Mike Shatzkin
    http://idealog.com/blog
    mike@idealog.com
    Founder & CEO
    The Idea Logical Company, Inc.
    Co-founder: Filedby, Inc.
    212-758-5670
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